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Tantoo Cardinal on being the first to be cast in the film Dances With Wolves

Tantoo Cardinal on choosing to work on the film Where the Rivers Flow North instead of the series North of 60 

Gail Berman on her work on the Comedy Channel show The Sweet Life, and on putting Jon Stewart on camera for the first time

Gail Berman on executive producing All-American Girl 

Gail Berman on her work adapting Buffy the Vampire Slayer into a television show 

Gail Berman on how the Buffy the Vampire Slayer spinoff Angel happened

Gail Berman on her work developing and casting Malcolm in the Middle 

Gail Berman on her work on the Comedy Channel show The Sweet Life and putting Jon Stewart on camera for the first time

Gail Berman on the first time she met Norman Lear, via his daughter Maggie

Gail Berman on executive producing All-American Girl and working with Margaret Cho

Gail Berman on notes from Dean Valentine for All-American Girl, and on the direction ABC wanted to take the show

Gail Berman on Quentin Tarantino guest starring on All-American Girl 

Gail Berman on Mariska Hargitay appearing on All-American Girl

Gail Berman on Dean Valentine not casting Jack Black for All-American Girl

Gail Berman on adapting Buffy the Vampire Slayer into a television show with the film's original writer, Joss Whedon, and on Whedon's pitch for the series

Gail Berman on Warner Bros. (Susanne Daniels) asking for a pilot script for the TV version of Buffy the Vampire Slayer

Gail Berman on Dolly Parton's involvement with Sandollar Television and on working with her

Gail Berman on when and why she left Sandollar, and on her role at Regency Television

Gail Berman on when and why she left Sandollar, and on her role at Regency Television

Gail Berman on her work on Malcolm in the Middle while at Regency Television

Gail Berman on her work on Malcolm in the Middle while at Regency Television, and on Doug Herzog ultimately wanting to make the show

Gail Berman on casting Malcolm in the Middle

Gail Berman on casting Malcolm in the Middle

Gail Berman on how she came to work for Sandollar Television as a junior television executive, and on how her role at Sandollar evolved

Gail Berman on how she came to work for Sandollar Television as a junior television executive, and on how her role at Sandollar evolved

Gail Berman on when and why she left Sandollar, and on her role at Regency Television

Gail Berman on when and why she left Sandollar, and on her role at Regency Television

Gail Berman on how she came to produce the original production of Joseph and the Amazing Technicolor Dreamcoat

Gail Berman on her first opportunity to work in television -- on the Comedy Channel (later Comedy Central)

Gail Berman on moving to California, and on how she came to work for Sandollar Television