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Alan J. Levi on the pilot of Battlestar Galactica

Alan J. Levi on The Invisible Man

Alan J. Levi on directing the pilot of Gemini Man

Alan J. Levi on The Bionic Woman

Alan J. Levi on working as a guest director on Miami Vice 

Alan J. Levi on working on Bionic Showdown with Sandra Bullock as the "Bionic Woman"

Alan J. Levi on the two pilots created for The Incredible Hulk television series

Alan J. Levi on meeting and working with executive producer Harve Bennet

Alan J. Levi on working with Michael Mann on Miami Vice and working through corrections for a scene

Alan J. Levi on working with director of photography Duke Callaghan on Miami Vice

Alan J. Levi on working with Lindsay Wagner on The Bionic Woman

Alan J. Levi on Lindsay Wagner contributing to the scripts of The Bionic Woman

Alan J. Levi on working with Lee Majors on The Bionic Woman and The Six Million Dollar Man

Alan J. Levi on working with Sandra Bullock on the TV movie Bionic Showdown

Alan J. Levi on former "Bionic Woman" Lindsay Wagner having a heart-to-heart talk with the then-new "Bionic Woman" Sandra Bullock when shooting a scene of Bionic Showdown

Alan J. Levi on working with Bill Bixby on The Incredible Hulk

Alan J. Levi on working with Lou Ferrigno on The Incredible Hulk

Alan J. Levi on Glen A. Larson bringing him on to replace Richard A. Colla as director in the second half of the Battlestar Galactica pilot

Alan J. Levi on Glen A. Larson bringing him on to replace Richard A. Colla as director in the second half of the Battlestar Galactica pilot

Alan J. Levi on working with producer John Dykstra on Battlestar Galactica and Dykstra's contributions to the special effects on the show

Alan J. Levi on his parents meeting Lorne Green on the set of the Battlestar Galactica pilot

Alan J. Levi on working as a guest director on Miami Vice

Alan J. Levi on the value of watching episodes of Miami Vice before guest directing to undertand the visual style 

On directing special effects on the Universal shows in the 1970s

Alan J. Levi on working as a regular director on The Bionic Woman

Alan J. Levi on how having a cameraman background played a role in his directing of The Bionic Woman

Alan J. Levi on where in the space he likes to be when shooting a scene

Alan J. Levi on how the time it takes to shoot an episode has increased from the 1970s and '80s to the present

Alan J. Levi on what rehearsal time looked like in the 1970s and how it compares to rehearsals for more recent shows

Alan J. Levi on the post-production process and working with the editor of a show