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Robert Hall on how he got his big break -- a role in A Raisin in the Sun

Robert Hall on how he got his big break -- a role in A Raisin in the Sun

Robert Hooks on Diana Sands helping him get an agent

Robert Hooks on Douglas Turner Ward's contributions to the Group Theatre Workshop

Robert Hooks on Douglas Turner Ward's New York Times article, “Theater in America: For Whites Only?” and how it led to the formation of the Negro Ensemble Company

Robery Hooks on Roscoe Lee Brown being responsible for his name change from Bobby Dean Hooks to Robert Hooks

Robert Hooks on theater critic Jerry Tallmer reviewing the opening showcase of the Group Theatre Workshop, which led to getting funding to produce Douglas Turner Ward's plays

Robert Hooks on his friendship with Gerald Krone and on Krone becoming a co-founder of the Negro Ensemble Company

Robert Hooks on his sister getting him into acting

Robert Hooks on his sister getting him into acting

Robert Hooks on what drew him to performing

Robert Hooks on what drew him to performing

Robert Hooks on why he started a theater company and on the first company he created

Robert Hooks on seeing the play A Raisin in the Sun for the first time and the impact it had on him

Robert Hooks on the death of his father and the music he associates with that moment

Robert Hooks on forming the Group Theatre Workshop 

Robert Hooks on Douglas Turner Ward's New York Times article, “Theater in America: For Whites Only?” and how it led to the formation of the Negro Ensemble Company

Robert Hooks on how he got his first role in a play -- in A Raisin in the Sun -- by going backstage to meet the actors and getting advice

Robert Hooks on how he got his first role in a play -- in A Raisin in the Sun -- by going backstage to meet the actors and getting advice

Robert Hooks on attending the March on Washington

Robert Hooks on forming the Group Theatre Workshop

Robert Hooks on forming the Group Theatre Workshop

Robert Hooks on forming the Group Theatre Workshop

Robert Hooks on Douglas Turner Ward's New York Times article, “Theater in America: For Whites Only?” and how it led to the formation of the Negro Ensemble Company

Robert Hooks on Douglas Turner Ward's New York Times article, “Theater in America: For Whites Only?” and how it led to the formation of the Negro Ensemble Company

Robert Hooks on Douglas Turner Ward's New York Times article, “Theater in America: For Whites Only?” and how it led to the formation of the Negro Ensemble Company

Robert Hooks on Douglas Turner Ward's New York Times article, “Theater in America: For Whites Only?” and how it led to the formation of the Negro Ensemble Company

Robert Hooks on his real name

Elma Farnsworth on the reaction of her and her husband, inventor Philo T. Farnsworth (and colleagues Cliff Gardner and Carl Christensen), on September 7, 1927 when he produced the first all-electronic TV picture (a simple straight line) with his Image Dissector tube

Elma Farnsworth on Mary Pickford, Douglas Fairbanks Sr., and producer Joseph Schenck visiting Philo T. Farnsworth's lab to see television (where they surmised its threat to the movie industry) circa early-1930s