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Alan J. Levi on the value of oral history interviews

Alan J. Levi on working with David Johnson on a pilot called Supernova

Alan J. Levi on filming a dentist scene in the Columbo episode "Columbo: Uneasy Lies the Crown" and Peter Falk's false eye falling out while filming

Alan J. Levi on what he loves about directing

Alan J. Levi on filming a dentist scene in the Columbo episode "Columbo: Uneasy Lies the Crown" and Peter Falk's false eye falling out while filming

Alan J. Levi on directing the "Men in Pink" episode of Hercules: The Legendary Journeys

Alan J. Levi on directing the Buffy the Vampire episode called "Sleeper"

Alan J. Levi on his experience directing on ER

Alan J. Levi on directing on JAG and filming on an aircraft carrier

Alan J. Levi on the lighting setup on the television adaptation of National Velvet

Alan J. Levi on how strict the filming schedule is in New Zealand

Alan J. Levi on what he likes about working in television compared to film

Alan J. Levi on building VidiFilm, a three-camera portable system, and how it's been used in different industries

Alan J. Levi on the changes in television technology and how they've made production and post-production faster than when he first started in the industry

Alan J. Levi on the changes in television technology and how they've made production and post-production faster than when he first started in the industry

Alan J. Levi on what he likes about teaching

Alan J. Levi on what he likes about teaching

Alan J. Levi on being able to mentor his former mentor, Dick Powell's, son, Richard Powell

Alan J. Levi on being able to mentor his former mentor, Dick Powell's, son, Richard Powell

Alan J. Levi on advice to aspiring directors

Alan J. Levi on advice to aspiring directors

Alan J. Levi on George Clooney and casting him as a fireman on Without Warning: Terror in the Towers

Ethel Winant on working in the Broadway theater and getting involved with casting for television via Studio One

Ethel Winant on working with Tennessee Williams as an agent's assistant

Ethel Winant on radio shows she listened to in her youth

Ethel Winant on her college years and working at the Pasadena Playhouse

Ethel Winant on early involvement in television via the Pasadena Playhouse and on seeing television at the 1939 World's Fair

Ethel Winant on moving to New York City in 1945 and on the cultural and artistic scene in Manhattan at that time

Ethel Winant on working with Tennessee Williams as an agent's assistant

Ethel Winant on working in the Broadway theater and getting involved with casting for television via Studio One