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Ramin Djawadi on having synesthesia and how he learned that he has it -- he associates music with colors

Ramin Djawadi on how he started to compose for television, and on Prison Break being his first big show; on the process for composing for a weekly television show

Ramin Djawadi on scoring to footage on Prison Break, scoring jump cuts and around commercial breaks, and working with the show's producers, but not working with directors in television

Ramin Djawadi on his first impressions of Jonathan Nolan, and on getting asked to work on Person of Interest

Ramin Djawadi on his music for the series finale of Person of Interest

Ramin Djawadi on early discussions about the score for Westworld and the importance of the player piano with contemporary songs

Ramin Djawadi on the accuracy of the player piano roll of music on Westworld