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Vince Gilligan on how he was able to write for The X-Files for seven years 01:09

Interview: Vince Gilligan

Vince Gilligan on getting hooked on The X-Files in 1993 and getting an introduction to Chris Carter, who was related to Gilligan's agent 33:18

Interview: Vince Gilligan | Show: X-Files, The

Vince Gilligan on writing The X-Files episode "Soft Light" and then being offered a job as a staff writer on the show, which he initially turned down 29:56

Interview: Vince Gilligan | Show: X-Files, The

Vince Gilligan on The X-Files "The second greatest job of my life" that taught him everything he needed to know about writing for TV; on the mythology versus the stand-alone episodes 19:51

Interview: Vince Gilligan | Show: X-Files, The

Vince Gilligan on the writers' room at The X-Files; on the first episode he wrote as a staff writer "Pusher"; on the writing process 02:16

Interview: Vince Gilligan | Show: X-Files, The

Vince Gilligan on what he liked about the lack of rules on The X-Files for the writers 15:20

Interview: Vince Gilligan | Show: X-Files, The

Vince Gilligan on "Folie Aux Deux" - an X-Files episode he wrote and how the visual element was incorporated into the show; on why the visual is as important as the dialogue 02:14

Interview: Vince Gilligan | Show: X-Files, The

Vince Gilligan on the importance of the visual element on The X-Files and his input as a writer 09:17

Interview: Vince Gilligan | Show: X-Files, The

Vince Gilligan on the only script he wrote for The X-Files that was re-written 06:45

Interview: Vince Gilligan | Show: X-Files, The

Vince Gilligan on the censorship limits on The X-Files; on the episode "Pusher" about Russian Roulette; on the episode "Paper Hearts" where he couldn't show an entry wound 02:33

Interview: Vince Gilligan | Show: X-Files, The

Vince Gilligan on his interaction with Standards & Practices and what he was able to show on The X-Files versus Breaking Bad - he couldn't show a gun held to a head during a game of Russian Roulette 04:42

Interview: Vince Gilligan | Topic: Censorship / Standards & Practices

Vince Gilligan on his interaction with Standards & Practices and what he was able to show on The X-Files versus Breaking Bad - he couldn't show a gun held to a head during a game of Russian Roulette 04:42

Interview: Vince Gilligan | Topic: Television Industry

On his childhood and early singing career; on training as an actor and his first professional acting job; on doing publicity for "Giant"; on moving to Hollywood 14:22

Interview: Robert Conrad

On the first time he saw television; on getting his first agent; on learning to do stunts; on early jobs in television; on being under contract at Warner Bros. 09:10

Interview: Robert Conrad

On auditioning for and shooting Hawaiian Eye; on his increasing popularity 04:19

Interview: Robert Conrad

Robert Conrad on auditioning for and shooting Hawaiian Eye 03:29

Interview: Robert Conrad | Genre: Cop/Detective/Mystery Series

Robert Conrad on auditioning for and shooting Hawaiian Eye 03:29

Interview: Robert Conrad | Genre: Adventure/Espionage Series

Robert Conrad on his approach to acting and early influences 01:10

Interview: Robert Conrad | Profession: Performers

Robert Conrad on his approach to acting and early influences 01:10

Interview: Robert Conrad | Profession: Actor

Robert Conrad on learning to do his own stunts 02:49

Interview: Robert Conrad | Profession: Actor

Robert Conrad on learning to do his own stunts 02:49

Interview: Robert Conrad | Profession: Performers

Robert Conrad on the benefits of falling off a horse on set 01:40

Interview: Robert Conrad

Robert Conrad on leaving and returning to Hawaiian Eye in a contract dispute with the studio 01:08

Interview: Robert Conrad

On the premise of Hawaiian Eye; on studio head William T. Orr; on auditioning for The Wild, Wild West; on his character and stunts on The Wild, Wild West 17:24

Interview: Robert Conrad

On director Irving J. Moore and original producer Fred Freiberger; on guest stars and critical reaction to The Wild, Wild West 09:04

Interview: Robert Conrad

Vince Gilligan on how he was able to write for The X-Files for seven years 01:09

Vince Gilligan on getting hooked on The X-Files in 1993 and getting an introduction to Chris Carter, who was related to Gilligan's agent 33:18

Vince Gilligan on writing The X-Files episode "Soft Light" and then being offered a job as a staff writer on the show, which he initially turned down 29:56

Vince Gilligan on The X-Files "The second greatest job of my life" that taught him everything he needed to know about writing for TV; on the mythology versus the stand-alone episodes 19:51

Vince Gilligan on the writers' room at The X-Files; on the first episode he wrote as a staff writer "Pusher"; on the writing process 02:16

Vince Gilligan on what he liked about the lack of rules on The X-Files for the writers 15:20

Vince Gilligan on "Folie Aux Deux" - an X-Files episode he wrote and how the visual element was incorporated into the show; on why the visual is as important as the dialogue 02:14

Vince Gilligan on the importance of the visual element on The X-Files and his input as a writer 09:17

Vince Gilligan on the only script he wrote for The X-Files that was re-written 06:45

Vince Gilligan on the censorship limits on The X-Files; on the episode "Pusher" about Russian Roulette; on the episode "Paper Hearts" where he couldn't show an entry wound 02:33

Vince Gilligan on his interaction with Standards & Practices and what he was able to show on The X-Files versus Breaking Bad - he couldn't show a gun held to a head during a game of Russian Roulette 04:42

Vince Gilligan on his interaction with Standards & Practices and what he was able to show on The X-Files versus Breaking Bad - he couldn't show a gun held to a head during a game of Russian Roulette 04:42

On his childhood and early singing career; on training as an actor and his first professional acting job; on doing publicity for "Giant"; on moving to Hollywood 14:22

On the first time he saw television; on getting his first agent; on learning to do stunts; on early jobs in television; on being under contract at Warner Bros. 09:10

On auditioning for and shooting Hawaiian Eye; on his increasing popularity 04:19

Robert Conrad on auditioning for and shooting Hawaiian Eye 03:29

Robert Conrad on auditioning for and shooting Hawaiian Eye 03:29

Robert Conrad on his approach to acting and early influences 01:10

Robert Conrad on his approach to acting and early influences 01:10

Robert Conrad on learning to do his own stunts 02:49

Robert Conrad on learning to do his own stunts 02:49

Robert Conrad on the benefits of falling off a horse on set 01:40

Robert Conrad on leaving and returning to Hawaiian Eye in a contract dispute with the studio 01:08

Robert Conrad on being hired to promote the feature film "Giant" 01:57

Robert Conrad on auditioning for and shooting Hawaiian Eye 03:29

Robert Conrad on the first time he saw television 00:37

Robert Conrad on being under contract at Warner Bros. Television 02:06

Robert Conrad on being under contract at Warner Bros. Television 02:06

On the premise of Hawaiian Eye; on studio head William T. Orr; on auditioning for The Wild, Wild West; on his character and stunts on The Wild, Wild West 17:24

On director Irving J. Moore and original producer Fred Freiberger; on guest stars and critical reaction to The Wild, Wild West 09:04