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Suzuki Ingerslev on how Alan Ball's departure from True Blood after season 5 impacted her work 00:31
Interview: Suzuki Ingerslev | Person: Alan Ball
Suzuki Ingerslev on production design on the Amazon series Hand of God 01:24
Interview: Suzuki Ingerslev | Person: Ben Watkins
Suzuki Ingerslev on production design on the Amazon series Hand of God 01:24
Interview: Suzuki Ingerslev | Person: Marc Forster
Suzuki Ingerslev on production design for Alan Ball's series Here and Now 01:39
Interview: Suzuki Ingerslev | Person: Alan Ball
Suzuki Ingerslev on what makes a good relationship between a production designer and a director 00:58
Interview: Suzuki Ingerslev | Profession: Designers
Suzuki Ingerslev on what makes a good relationship between a production designer and a director 00:58
Interview: Suzuki Ingerslev | Profession: Production Designer
Suzuki Ingerslev on what makes a good relationship between a production designer and a director 00:58
Interview: Suzuki Ingerslev | Profession: Directors
Suzuki Ingerslev on her involvement in choosing between shooting on location for shows versus building sets, as a production designer 02:28
Interview: Suzuki Ingerslev | Profession: Designers
Suzuki Ingerslev on her involvement in choosing between shooting on location for shows versus building sets, as a production designer 02:28
Interview: Suzuki Ingerslev | Profession: Production Designer
Suzuki Ingerslev on how actors' physical appearances impact her work as a production designer, particularly with the actors and spaces on True Blood 00:50
Interview: Suzuki Ingerslev | Profession: Designers
Suzuki Ingerslev on how actors' physical appearances impact her work as a production designer, particularly with the actors and spaces on True Blood 00:50
Interview: Suzuki Ingerslev | Profession: Production Designer
Suzuki Ingerslev on items she's taken from sets over the years - from Six Feet Under and True Blood 02:09
Interview: Suzuki Ingerslev
Suzuki Ingerslev on the nautical theme in "Dr. Paul Weston's" home office in In Treatment 00:14
Interview: Suzuki Ingerslev
Suzuki Ingerslev on how the shot choices on In Treatment influenced her designs and changes she made to sets as the season progressed 01:25
Interview: Suzuki Ingerslev
Suzuki Ingerslev on designing "Sookie's" house for the pilot of True Blood 02:30
Interview: Suzuki Ingerslev
Suzuki Ingerslev on how night shoots impacted her work on True Blood and on designing "Bill Compton's" house 02:18
Interview: Suzuki Ingerslev
Suzuki Ingerslev on changes to "Sookie's" house on True Blood when "Maryann" moves in season 2, and when "Eric" buys the house in season 5 01:46
Interview: Suzuki Ingerslev
Suzuki Ingerslev on designing the Vampire Authority headquarters on True Blood 02:05
Interview: Suzuki Ingerslev
Suzuki Ingerslev on designing the many iterations of "Bill Compton's" mansion on True Blood 01:21
Interview: Suzuki Ingerslev
Suzuki Ingerslev on designing 1920's San Francisco - where "Pam" and "Eric" first meet on True Blood 00:44
Interview: Suzuki Ingerslev
Suzuki Ingerslev on designing Merlotte's in True Blood (which featured photos from the crew's real families) and overseeing graphics like the Merlotte's logo and the True Blood bottles and packaging 03:47
Interview: Suzuki Ingerslev
Suzuki Ingerslev on designing the MoonGoddess shop for the witches on True Blood 00:54
Interview: Suzuki Ingerslev
Suzuki Ingerslev on "Sookie" and "Eric's" first time making love on True Blood -- on a bed, in the snow 01:11
Interview: Suzuki Ingerslev
Suzuki Ingerslev on designing the Faerie strip club on True Blood and the faerie portal in the cemetery 03:06
Interview: Suzuki Ingerslev
Suzuki Ingerslev on her designs for the time jumps in the Six Feet Under finale, and on Alan Ball fighting to get a helicopter for that episode 02:16
Interview: Suzuki Ingerslev | Show: Six Feet Under