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Sidney Lumet on how he was assigned or chose which live anthology shows to direct in the 1950s

Sidney Lumet on the preparation and process of directing live anthology series in the 1950s

Sidney Lumet on working with actors

Sidney Lumet on directing the film version of the Studio One production of "12 Angry Men"

Sidney Lumet on working with actors

Sidney Lumet on directing The Alcoa Hour production of "Tragedy in a Temporary Town"

Sidney Lumet on directing the film version of the Studio One production of "12 Angry Men"

Sidney Lumet on directing various episode of Studio One, including "No Deadly Medicine"

Sidney Lumet on directing Kraft Television Theatre, and on producer David Susskind

Sidney Lumet on directing the film version of the Studio One production of "12 Angry Men"

On the technical challenges of doing Danger live, and on mishaps during the broadcasts; on Danger and You Are There producer Charlie Russell; on how movie actors adapted to television, and on directing You Are There

On the end of Danger, and on the writers of the show; on the correspondents of You Are There, and on their political affiliations and the Blacklist

Sidney Lumet on directing Danger and You Are There

Sidney Lumet on Danger and You Are There producer Charlie Russell

Sidney Lumet on how movie actors, including James Dean, adapted to television, and on directing You Are There

Sidney Lumet on the technical challenges of doing Danger live, and on mishaps during the broadcasts

Sidney Lumet on the correspondents of You Are There, and on their political affiliations and the Blacklist

Sidney Lumet on the technical challenges of doing Danger live, and on mishaps during the broadcasts

Sidney Lumet on Danger and You Are There producer Charlie Russell

Sidney Lumet on Danger and You Are There producer Charlie Russell, and on working with the network

Sidney Lumet on how movie actors, including James Dean, adapted to television, and on directing You Are There

Sidney Lumet on the end of Danger, and on the writers of the show

Sidney Lumet on the correspondents of You Are There, and on their political affiliations and the Blacklist

Sidney Lumet on the correspondents of You Are There, and on their political affiliations and the Blacklist

Sidney Lumet on the correspondents of You Are There, and on their political affiliations and the Blacklist

Sidney Lumet on the correspondents of You Are There, and on their political affiliations and the Blacklist

Sidney Lumet on the technical challenges of doing Danger live, and on mishaps during the broadcasts

On his early childhood in New York and New Jersey, and on his interests growing up including baseball, video games, and computer coding; on some television memories from his childhood, despite not being allowed to watch a lot of TV; on wanting to be a doctor as a teenager and volunteering at a medical examiner's office during the summer when he was sixteen

On attending Princeton University and intending to become a neurosurgeon; on how working on a college radio show, American Focus, steered him from the path of medicine toward the arts, and on the TV pilot of American Focus; on his Television Academy Foundation internship, on what he did during the internship and on what he learned from that experience; on a particularly hard day during his internship, and on the impact of the internship on his career

On his path to becoming a screenwriter, including how writing a jokey Halloween memo at his ad agency job led to his first writing job; on writing movies, and on how Chernobyl came about; on how he prepares for pitching a show and his advice for writers who are pitching; on why he wanted to have a companion podcast for Chernobyl