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On her designs for True Blood's Vampire Authority headquarters, the many iterations of "Bill's" house, Merlotte's, Fangtasia, the MoonGoddess shop, "Russell Edginton's" mansion, "Sookie" and "Eric's" first time, and "Lafayette's" house 20:52

Interview: Suzuki Ingerslev

On attending Comic-Con for True Blood; on the True Blood series finale; on production design on the Amazon series Hand of God and for Alan Ball's series Here and Now 07:31

Interview: Suzuki Ingerslev

Suzuki Ingerslev on the Six Feet Under finale and items she's taken from sets after a show has wrapped; on production design for an episodes of The Sopranos, her work on season 1 of Shark and working with Spike Lee, and on production design for season 1 of In Treatment 19:30

Interview: Suzuki Ingerslev | Genre: Drama Series

Suzuki Ingerslev on production design for True Blood 31:20

Interview: Suzuki Ingerslev | Genre: Drama Series

Suzuki Ingerslev on production design on the Amazon series Hand of God and for Alan Ball's series Here and Now 04:43

Interview: Suzuki Ingerslev | Genre: Drama Series

Suzuki Ingerslev on art directing for Bob Shaw for one episode of The Sopranos 01:34

Interview: Suzuki Ingerslev | Person: Bob Shaw

Suzuki Ingerslev on shooting part of an episode of The Sopranos at David Chase's house 00:44

Interview: Suzuki Ingerslev | Person: David Chase

Suzuki Ingerslev on working with director Spike Lee on the pilot of Shark 01:54

Interview: Suzuki Ingerslev | Person: Spike Lee

Suzuki Ingerslev on being praised by James Woods for the set of his house on Shark 00:35

Interview: Suzuki Ingerslev | Person: James Woods

Suzuki Ingerslev on how she became production designer on the HBO series In Treatment 01:34

Interview: Suzuki Ingerslev | Person: Rodrigo Garcia

Suzuki Ingerslev on James L. Brooks being a fan of her sets for In Treatment 00:29

Interview: Suzuki Ingerslev | Person: James L. Brooks

Suzuki Ingerslev on working with Michelle Forbes on In Treatment and later on True Blood 00:37

Interview: Suzuki Ingerslev | Person: Michelle Forbes

Suzuki Ingerslev on working with Gregg Fienberg on True Blood 00:15

Interview: Suzuki Ingerslev | Person: Gregg Fienberg

Suzuki Ingerslev on how Alan Ball's departure from True Blood after season 5 impacted her work 00:31

Interview: Suzuki Ingerslev | Person: Alan Ball

Suzuki Ingerslev on what makes a good relationship between a production designer and a director 00:58

Interview: Suzuki Ingerslev | Profession: Designers

Suzuki Ingerslev on what makes a good relationship between a production designer and a director 00:58

Interview: Suzuki Ingerslev | Profession: Production Designer

Suzuki Ingerslev on what makes a good relationship between a production designer and a director 00:58

Interview: Suzuki Ingerslev | Profession: Directors

Suzuki Ingerslev on her involvement in choosing between shooting on location for shows versus building sets, as a production designer 02:28

Interview: Suzuki Ingerslev | Profession: Designers

Suzuki Ingerslev on her involvement in choosing between shooting on location for shows versus building sets, as a production designer 02:28

Interview: Suzuki Ingerslev | Profession: Production Designer

Suzuki Ingerslev on how actors' physical appearances impact her work as a production designer, particularly with the actors and spaces on True Blood 00:50

Interview: Suzuki Ingerslev | Profession: Designers

Suzuki Ingerslev on how actors' physical appearances impact her work as a production designer, particularly with the actors and spaces on True Blood 00:50

Interview: Suzuki Ingerslev | Profession: Production Designer

Suzuki Ingerslev on items she's taken from sets over the years - from Six Feet Under and True Blood 02:09

Interview: Suzuki Ingerslev

Suzuki Ingerslev on the nautical theme in "Dr. Paul Weston's" home office in In Treatment 00:14

Interview: Suzuki Ingerslev

Suzuki Ingerslev on how the shot choices on In Treatment influenced her designs and changes she made to sets as the season progressed 01:25

Interview: Suzuki Ingerslev

Suzuki Ingerslev on designing "Sookie's" house for the pilot of True Blood 02:30

Interview: Suzuki Ingerslev

Suzuki Ingerslev on how night shoots impacted her work on True Blood and on designing "Bill Compton's" house 02:18

Interview: Suzuki Ingerslev

Suzuki Ingerslev on changes to "Sookie's" house on True Blood when "Maryann" moves in season 2, and when "Eric" buys the house in season 5 01:46

Interview: Suzuki Ingerslev

On her designs for True Blood's Vampire Authority headquarters, the many iterations of "Bill's" house, Merlotte's, Fangtasia, the MoonGoddess shop, "Russell Edginton's" mansion, "Sookie" and "Eric's" first time, and "Lafayette's" house 20:52

On attending Comic-Con for True Blood; on the True Blood series finale; on production design on the Amazon series Hand of God and for Alan Ball's series Here and Now 07:31

Suzuki Ingerslev on the Six Feet Under finale and items she's taken from sets after a show has wrapped; on production design for an episodes of The Sopranos, her work on season 1 of Shark and working with Spike Lee, and on production design for season 1 of In Treatment 19:30

Suzuki Ingerslev on production design for True Blood 31:20

Suzuki Ingerslev on production design on the Amazon series Hand of God and for Alan Ball's series Here and Now 04:43

Suzuki Ingerslev on art directing for Bob Shaw for one episode of The Sopranos 01:34

Suzuki Ingerslev on shooting part of an episode of The Sopranos at David Chase's house 00:44

Suzuki Ingerslev on working with director Spike Lee on the pilot of Shark 01:54

Suzuki Ingerslev on being praised by James Woods for the set of his house on Shark 00:35

Suzuki Ingerslev on how she became production designer on the HBO series In Treatment 01:34

Suzuki Ingerslev on James L. Brooks being a fan of her sets for In Treatment 00:29

Suzuki Ingerslev on working with Michelle Forbes on In Treatment and later on True Blood 00:37

Suzuki Ingerslev on working with Gregg Fienberg on True Blood 00:15

Suzuki Ingerslev on how Alan Ball's departure from True Blood after season 5 impacted her work 00:31

Suzuki Ingerslev on production design on the Amazon series Hand of God 01:24

Suzuki Ingerslev on production design on the Amazon series Hand of God 01:24

Suzuki Ingerslev on production design for Alan Ball's series Here and Now 01:39

Suzuki Ingerslev on what makes a good relationship between a production designer and a director 00:58

Suzuki Ingerslev on what makes a good relationship between a production designer and a director 00:58

Suzuki Ingerslev on what makes a good relationship between a production designer and a director 00:58

Suzuki Ingerslev on her involvement in choosing between shooting on location for shows versus building sets, as a production designer 02:28

Suzuki Ingerslev on her involvement in choosing between shooting on location for shows versus building sets, as a production designer 02:28

Suzuki Ingerslev on how actors' physical appearances impact her work as a production designer, particularly with the actors and spaces on True Blood 00:50

Suzuki Ingerslev on how actors' physical appearances impact her work as a production designer, particularly with the actors and spaces on True Blood 00:50

Suzuki Ingerslev on items she's taken from sets over the years - from Six Feet Under and True Blood 02:09

Suzuki Ingerslev on the nautical theme in "Dr. Paul Weston's" home office in In Treatment 00:14

Suzuki Ingerslev on how the shot choices on In Treatment influenced her designs and changes she made to sets as the season progressed 01:25

Suzuki Ingerslev on designing "Sookie's" house for the pilot of True Blood 02:30

Suzuki Ingerslev on how night shoots impacted her work on True Blood and on designing "Bill Compton's" house 02:18

Suzuki Ingerslev on changes to "Sookie's" house on True Blood when "Maryann" moves in season 2, and when "Eric" buys the house in season 5 01:46