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In her two-and-a-half-hour interview, Rose Marie (1923-2017) talks about her career which began at the age of three when she was "Baby Rose Marie." She describes her years as a...

Of his work as a television executive, Thomas W. Sarnoff (1927-2023) says, "the highlight of my career at NBC, was building a close-knit and very efficient organization on the West...

In her one-hour-and-forty-five-minute interview, Kay Alden speaks of her early years as a high school English teacher. She talks about writing her doctoral thesis on "daytime serials as a medium...

In his two-and-a-half-hour interview, Larry Auerbach (1929-2024) details his 47-year association with the William Morris Agency, where he started part-time in the mailroom. He talks about his move out of...

In his nearly two-hour interview, Rick Baker talks about his desire to become a doctor when he grew up, and having an epiphany that the doctor he actually wanted to...

In his four-hour interview, Carroll O'Connor (1924-2001) talks about being a struggling actor in New York: "Carroll O'Connor from the Gate Theater meant nothing. They did an O'Casey play. I...

In his three-hour interview, Andy Ackerman talks about his break into the industry as an assistant editor on the series Welcome Back, Kotter. He relates how he came to work...

In his five-hour interview, Earle Hagen (1919-2008) describes the pleasure of working with producers Sheldon Leonard and Danny Thomas. He discusses creating the themes, as well as writing the music...

In his four-hour interview, Charlie Andrews (1916-2004) talks about his early years in Chicago radio, and his service in World War II. He describes meeting Dave Garroway in Chicago and...

In her three-hour interview, Irma Kusely (1914-2009) describes her early work as a wig stylist at MGM. She speaks about her friendship with Lucille Ball and Danny Thomas, which ultimately...

In his two-and-a-half-hour interview, Alexander "Sandy" Courage (1919-2008) describes his work as a conductor, arranger, and composer in network radio on T he Screen Guild Theater, The Adventures of Sam...

In his three-and-a-half-hour interview, Fred de Cordova (1910-2001) talks about his early life and experiences in New York City working for the Shubert Organization which led to him eventually moving...

In his three-and-a-half-hour interview, Charles S. Dubin (1919-2011) describes his lengthy career as a television director, which began in 1950 when he was hired at ABC as an associate director...

In her three-and-a-half-hour interview, Ruth Engelhardt (1921-2008) vividly describes her over 55-year association with the William Morris Agency. She recalls how she worked her way up from being a secretary...

In his nearly three-hour interview, George Takei talks about his earliest years, defined by his placement in Japanese internment camps following the attack on Pearl Harbor. He speaks of his...

In the two-hour solo portion of his interview, Jerry Stiller (1927-2020) chronicles his notable work in the long-form production Seize the Day, and details the role for which he is...

In her two-hour interview, Ruby Dee (1922-2014) talks about her start in show business as an actress in feature films and on Broadway, and describes the experience of being an...

In her three-hour-plus interview, Phyllis Diller (1917-2012) speaks of her beginnings as a successful comic breaking out of her shell as a middle-aged housewife when she appeared for the first...

In his three-hour interview, Mike Douglas (1925-2006) talks about his start in television as the host of the local Chicago series Hi Ladies and discusses his career as a singer...

In his three-hour interview, Alan Young (1919-2016) discusses his Scottish and Canadian upbringing and starting his show business career as a teenager on radio. He speaks of The Alan Young...