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Tantoo Cardinal on how Smoke Signals built confidence in Indigenous stories

Tantoo Cardinal on Gil Cardinal directing Big Bear and the challenges he experienced as an Indigenous director

Tantoo Cardinal on Gil Cardinal directing Big Bear and the challenges he experienced as an Indigenous director

Tantoo Cardinal on Gil Cardinal directing Big Bear and the challenges he experienced as an Indigenous director

Tantoo Cardinal on co-founding the Saskatoon Native Theatre Company and how supporting storytelling initiatives for Indigenous youth has been part of her healing process

Tantoo Cardinal on co-founding the Saskatoon Native Theatre Company and how supporting storytelling initiatives for Indigenous youth has been part of her healing process

Tantoo Cardinal on co-founding the Saskatoon Native Theatre Company and how supporting storytelling initiatives for Indigenous youth has been part of her healing process

Tantoo Cardinal on writing a short story for the book Our Story: Aboriginal Voices on Canada’s Past

Tantoo Cardinal on working on A Thief of Time and production not respecting her request not to play a traditional Navajo woman

Tantoo Cardinal on working on A Thief of Time and production not respecting her request not to play a traditional Navajo woman

Tantoo Cardinal on working on A Thief of Time and production not respecting her request not to play a traditional Navajo woman

Tantoo Cardinal on working on A Thief of Time and production not respecting her request not to play a traditional Navajo woman

Tantoo Cardinal on working on A Thief of Time and production not respecting her request not to play a traditional Navajo woman

Tantoo Cardinal on receiving honorary doctorates and seeing it as a way to honor her ancestors

Tantoo Cardinal on working on Unnatural and Accidental, a feature about murdered and missing Indigenous women

Tantoo Cardinal on being the first to be cast in the film Dances With Wolves

Tantoo Cardinal on choosing to work on the film Where the Rivers Flow North instead of the series North of 60 

Gail Berman on her work on the Comedy Channel show The Sweet Life, and on putting Jon Stewart on camera for the first time

Gail Berman on executive producing All-American Girl 

Gail Berman on her work adapting Buffy the Vampire Slayer into a television show 

Gail Berman on how the Buffy the Vampire Slayer spinoff Angel happened

Gail Berman on her work developing and casting Malcolm in the Middle 

Gail Berman on her work on the Comedy Channel show The Sweet Life and putting Jon Stewart on camera for the first time

Gail Berman on the first time she met Norman Lear, via his daughter Maggie

Gail Berman on executive producing All-American Girl and working with Margaret Cho

Gail Berman on notes from Dean Valentine for All-American Girl, and on the direction ABC wanted to take the show

Gail Berman on Quentin Tarantino guest starring on All-American Girl 

Gail Berman on Mariska Hargitay appearing on All-American Girl

Gail Berman on Dean Valentine not casting Jack Black for All-American Girl

Gail Berman on adapting Buffy the Vampire Slayer into a television show with the film's original writer, Joss Whedon, and on Whedon's pitch for the series