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Andy Cohen on what he learned from not getting a job at the cable channel Logo 01:08
Interview: Andy Cohen | Topic: Pivotal Career Moments
Andy Cohen on Queer Eye for the Straight Guy and his first experience with "regular people" becoming stars 01:20
Interview: Andy Cohen | Topic: Fame and Celebrity
Andy Cohen on Queer Eye for the Straight Guy and his first experience with "regular people" becoming stars 01:20
Interview: Andy Cohen | Topic: Television Industry
Andy Cohen on the Top Chef catchphrase "Pack Your Knives and Go" 01:28
Interview: Andy Cohen | Topic: Characters & Catchphrases
Andy Cohen on the Top Chef catchphrase "Pack Your Knives and Go" 01:28
Interview: Andy Cohen | Topic: Pop Culture
Andy Cohen on Barry Diller offering him the opportunity to be Vice President of Original Programming at the cable channel, TRIO 02:12
Interview: Andy Cohen | Topic: Network Creation
Andy Cohen on Barry Diller offering him the opportunity to be Vice President of Original Programming at the cable channel, TRIO 02:12
Interview: Andy Cohen | Topic: Television Industry
On his early life and influences; on his family moving to Los Angeles in 1928 and living though the Great Depression; on going to work for Max Factor and learning the techniques of makeup for movies 16:01
Interview: Howard Smit
On the early days of makeup in the movies; on the early days of hairstylists in the movies 11:36
Interview: Howard Smit
Howard Smit on his family moving to Los Angeles in 1928 and living though the Great Depression 03:57
Interview: Howard Smit
Howard Smit on going to work for Max Factor and learning the techniques of makeup for movies 04:10
Interview: Howard Smit
On the first time he saw television, and on his first involvement with experimental television, at a local Los Angeles station in the 1930s; on the challenges of doing makeup on early television; on leaving law school in 1937 to do makeup full time, and on joining the union 13:02
Interview: Howard Smit
On doing makeup for the feature film "The Wizard of Oz"; on doing makeup for early Technicolor features and the emergence of television; on doing makeup for the classic feature film "The Hunchback of Notre Dame," and on working in black and white versus working in color 14:48
Interview: Howard Smit
Howard Smit on the challenges of doing makeup on early television 02:29
Interview: Howard Smit | Profession: Makeup Artist
Howard Smit on the challenges of doing makeup on early television 02:29
Interview: Howard Smit | Profession: Stylists
Howard Smit on the first time he saw television and on his first involvement with experimental television at a local Los Angeles station in the '30s 06:02
Interview: Howard Smit
Howard Smit on leaving law school in 1937 to do makeup full time, and on joining the union 04:18
Interview: Howard Smit
Howard Smit on doing makeup for early Technicolor features and the emergence of television 09:22
Interview: Howard Smit
Howard Smit on doing makeup for the classic feature film "The Hunchback of Notre Dame," and on working in black and white versus working in color 03:09
Interview: Howard Smit
Howard Smit on doing makeup for the feature film "The Wizard of Oz" 02:17
Interview: Howard Smit | Topic: Pivotal Career Moments
On his experiences during World War II; on being a negotiator for the hair and makeup union in 1942; on participating in making training films for World War II 06:43
Interview: Howard Smit
On doing makeup for Dragnet, with Jack Webb; on what hairstylists and makeup artists thought of television in the early 1950s; on moving on from Dragnet after 13 episodes 08:24
Interview: Howard Smit
On the process of corrective beauty makeup; on sharing information with other makeup artists; on dealing with fake beards and mustaches as a makeup artist 12:43
Interview: Howard Smit
Howard Smit on doing makeup for the first 13 episodes of Dragnet 08:24
Interview: Howard Smit | Genre: Cop/Detective/Mystery Series
Howard Smit on doing makeup for Dragnet, starring Jack Webb 06:16
Interview: Howard Smit | Person: Jack Webb