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Imero Fiorentino on lighting Agnes DeMille in a ballet production on Omnibus - one of his favorite moments 02:17
Interview: Imero Fiorentino
Imero Fiorentino on lighting The U.S. Steel Hour at ABC and the people he worked with on the program 02:24
Interview: Imero Fiorentino | Show: United States Steel Hour, The
Imero Fiorentino on lighting Agnes DeMille in a ballet production on Omnibus - one of his favorite moments 02:17
Interview: Imero Fiorentino | Show: Omnibus
Imero Fiorentino on lighting The U.S. Steel Hour at ABC 02:24
Interview: Imero Fiorentino | Topic: TV's Golden Age (1940s & '50s)
Imero Fiorentino on lighting The U.S. Steel Hour at ABC 02:24
Interview: Imero Fiorentino | Topic: Anthology Drama
On Paul Whiteman's Goodyear Revue, with Glenn Osser (conducting) and Paul Whiteman; on an accident that happened in filming the live opening of Tales of Tomorrow; on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley 11:10
Interview: Imero Fiorentino
On the first televised appearance of the Bolshoi Ballet, Best of the Bolshoi (local ABC stations, 1959; edited and re-aired on network ABC, 1965), directed by Charles S. Dubin 11:41
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on Paul Whiteman's Goodyear Revue, with Glenn Osser (conducting) and Paul Whiteman; a story about an opera singer who refused to sing the show's finale 04:26
Interview: Imero Fiorentino | Genre: Classic Anthology Series
Lighting Director Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley 03:05
Interview: Imero Fiorentino | Genre: Classic Anthology Series
Lighting Director Imero Fiorentino on Paul Whiteman's Goodyear Revue, with Glenn Osser (conducting) and Paul Whiteman; a story about an opera singer who refused to sing the show's finale 04:26
Interview: Imero Fiorentino | Person: Paul Whiteman
Lighting Director Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley 03:05
Interview: Imero Fiorentino | Person: Richard Kiley
Lighting Director Imero Fiorentino on the first televised appearance of the Bolshoi Ballet, Best of the Bolshoi (local ABC stations, 1959; edited and re-aired on network ABC, 1965), directed by Charles S. Dubin 11:41
Interview: Imero Fiorentino | Person: Charles S. Dubin
Lighting Director Imero Fiorentino on an accident that happened in filming the live opening of Tales of Tomorrow 02:58
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley 03:05
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on Paul Whiteman's Goodyear Revue, with Glenn Osser (conducting) and Paul Whiteman; a story about an opera singer who refused to sing the show's finale 04:26
Interview: Imero Fiorentino | Show: Paul Whiteman's Goodyear Revue
Lighting Director Imero Fiorentino on an accident that happened in filming the live opening of Tales of Tomorrow 02:58
Interview: Imero Fiorentino | Show: Tales of Tomorrow
Lighting Director Imero Fiorentino on mishaps on live TV including one he briefly recalls from U.S. Steel Hour: "Fearful Decision" 02:58
Interview: Imero Fiorentino | Show: United States Steel Hour, The
Lighting Director Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley 03:05
Interview: Imero Fiorentino | Show: United States Steel Hour, The
Lighting Director Imero Fiorentino on the first televised appearance of the Bolshoi Ballet, Best of the Bolshoi (local ABC stations, 1959; edited and re-aired on network ABC, 1965), directed by Charles S. Dubin 11:41
Interview: Imero Fiorentino | Show: Best of the Bolshoi, The
Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley 03:05
Interview: Imero Fiorentino | Topic: TV's Golden Age (1940s & '50s)
Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley 03:05
Interview: Imero Fiorentino | Topic: Anthology Drama
Imero Fiorentino on Paul Whiteman's Goodyear Revue, with Glenn Osser (conducting) and Paul Whiteman and a story about an opera singer who refused to sing the show's finale 04:26
Interview: Imero Fiorentino | Topic: TV's Golden Age (1940s & '50s)
On Telstar I, the satellite that relayed the first live transatlantic transmission on July 10, 1962— the American flag outside the sending station at Andover, Maine; on working with Presidents on their television appearances; on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could 10:12
Interview: Imero Fiorentino
On working on lighting Disney's Epcot Center; on then-current projects; on studio lighting; on advice to aspiring lighting directors; on creating a good lighting plan; on working with new technology; on how he'd like to be remembered 14:13
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could; also the issues he had lighting JFK due to RFK's interference 06:04
Interview: Imero Fiorentino | Genre: News and Documentary
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could; also the issues he had lighting JFK due to RFK's interference 06:04
Interview: Imero Fiorentino | Person: John F. Kennedy
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could; also the issues he had lighting JFK due to RFK's interference 06:04
Interview: Imero Fiorentino | Person: Richard M. Nixon