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Dixon Dern on representing Arnold Shapiro in Scared Straight! franchise, in which young boys meet hardened criminals who gave them an insight to life behind bars 50:21
Interview: Dixon Dern | Show: Scared Straight!
On the growing rift between the chapters of the National Academy of Television Arts & Sciences; the lawsuit that was initiated to claim the rights to the Emmy awards 59:39
Interview: Dixon Dern
On the basis for the lawsuit from the Hollywood chapter and the National Academy over the Emmy voting process, initiated in 1975; attempts at settlement 53:20
Interview: Dixon Dern
On the negotiation between Marvin Burns and Dern in attempt to solve the lawsuit by the creation of two separate academys: NATAS in New York and ATAS in Hollywood; the "divorce" of the Emmys into primetime and daytime awards 46:22
Interview: Dixon Dern
On how the Emmy award itself was divvied up in the negotiation between NATAS and ATAS; unusual for a trademark 42:45
Interview: Dixon Dern
On the membership of the Television Academys; the broadcast rights to the Emmy awards 40:57
Interview: Dixon Dern
Dixon Dern on the lawsuit over the Emmy Awards settling by the creation of two separate academies: NATAS in New York and ATAS in Hollywood; the "divorce" of the Emmys into primetime and daytime awards how the Emmy award itself was divvied up in the negotiation between NATAS and ATAS; unusual for a trademark 46:22
Interview: Dixon Dern | Topic: Emmy Awards
On the "Network Wheel" method of scheduling the Emmy telecast; the competitive bidding over the rights to the telecast 59:32
Interview: Dixon Dern
On the effect of strikes on the Emmy telecast; the 2002 renegotiation process for the Emmy telecast license fee 55:12
Interview: Dixon Dern
On the status of the ongoing litigation between NATAS and ATAS (at the time of this interview in 2003) 52:18
Interview: Dixon Dern
On the mission statement of the Academy of Television Arts & Sciences; the education initiative of the Academy 51:08
Interview: Dixon Dern
On representing Judge Joseph Wapner in the 1980s; on how the People's Court show was initiated 49:04
Interview: Dixon Dern
On working with Phil Roman Productions; other animation clients such as Chuck Jones 46:34
Interview: Dixon Dern
On what has transpired since his last interview (in 2003) and now: at the time he had been in the middle of litigation between NATAS and ATAS 59:59
Interview: Dixon Dern
On the division between the National Academy and the Hollywood Academy of Television Arts and Sciences: the various points related to that litigation: on John Cannon's involvement and his replacement, Peter Price at NATAS; a new dispute arose over a Spanish-language Emmys 59:20
Interview: Dixon Dern
On the beginning of a new arbitration over a Spanish-language Emmys; Dick Askin and Dwight Swanson as the heads of the respective Academys who held a series of talks 54:14
Interview: Dixon Dern
On talks to possibly re-merge the two Television Academys which never was agreed upon 52:05
Interview: Dixon Dern
On the continuing arbitration process between ATAS and NATAS; coming close to a settlement; bringing IATAS to the West Coast (ATAS); the attempt to bring the L.A Chapter to NATAS which was voted down 05:31
Interview: Dixon Dern
On the advent of the interactive committee at the Academy; the next round of arbitration to enjoin NATAS from giving out any broadband awards pertaining to the primetime Emmys 07:19
Interview: Dixon Dern
On attempts to settle the arbitration case; the agreement to drop the appeals 07:29
Interview: Dixon Dern
On the history of syndication; his representation of both buyers and sellers; setting up Desilu sales 59:59
Interview: Dixon Dern
On the problem of the "window" between entertainment mediums (ipod versus video sales); on piracy; on the video-on-demand paradigm 50:10
Interview: Dixon Dern