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Donald A. Morgan on how the COVID-19 pandemic impacted production on Last Man Standing and The Conners 04:45
Interview: Donald A. Morgan | Show: Last Man Standing
Donald A. Morgan on how the COVID-19 pandemic impacted production on Last Man Standing and The Conners 04:45
Interview: Donald A. Morgan | Show: Conners, The
Donald A. Morgan on his then-current work on The Conners 03:29
Interview: Donald A. Morgan | Show: Conners, The
Donald A. Morgan on the challenges of shooting the live episodes of The Conners -- one shot during the COVID-19 pandemic 01:36
Interview: Donald A. Morgan | Show: Conners, The
Donald A. Morgan on how the COVID-19 pandemic impacted production on Last Man Standing and The Conners 04:45
Interview: Donald A. Morgan | Topic: COVID-19 Pandemic
Donald A. Morgan on how the COVID-19 pandemic impacted production on Last Man Standing and The Conners 04:45
Interview: Donald A. Morgan | Topic: Health and Medicine
Donald A. Morgan on how the COVID-19 pandemic impacted production on Last Man Standing and The Conners 04:45
Interview: Donald A. Morgan | Topic: Historic Events and Social Change
Donald A. Morgan on the challenges of shooting the live episodes of The Conners -- one shot during the COVID-19 pandemic 01:36
Interview: Donald A. Morgan | Topic: COVID-19 Pandemic
Donald A. Morgan on the challenges of shooting the live episodes of The Conners -- one shot during the COVID-19 pandemic 01:36
Interview: Donald A. Morgan | Topic: Health and Medicine
Donald A. Morgan on the challenges of shooting the live episodes of The Conners -- one shot during the COVID-19 pandemic 01:36
Interview: Donald A. Morgan | Topic: Historic Events and Social Change
Donald A. Morgan on how cinematography for television has changed since he first started in the business -- becoming more diverse 00:39
Interview: Donald A. Morgan | Topic: Historic Events and Social Change
Donald A. Morgan on how cinematography for television has changed since he first started in the business -- becoming more diverse 00:39
Interview: Donald A. Morgan | Topic: Representation on Television
Donald A. Morgan on how cinematography for television has changed since he first started in the business -- becoming more diverse 00:39
Interview: Donald A. Morgan | Topic: Women
Donald A. Morgan on how cinematography for television has changed since he first started in the business -- becoming more diverse 00:39
Interview: Donald A. Morgan | Topic: Underrepresented Voices
On her childhood in Kentucky; on her interests when she was growing up; on television shows she watched as a kid; on her early interest in fashion; on being a shy child; on the first clothing items she ever made -- clogs made out of milk cartons -- thanks to how-to instructions from Captain Kangaroo 23:22
Interview: Ane Crabtree
On wanting to study fashion in college; on attending the University of Evansville and studying in England; on moving to New York, studying fashion design at FIT, and leaving school to work for designer Miriam Klein 14:35
Interview: Ane Crabtree
On transitioning from fashion to costume design; on being a freelance stylist and working for Elle; on her start in television - working in music videos and for Japanese and Chinese television; on her first union job in U.S. television -- Swift Justice -- and Don Kurt hiring her for the job; on how the pace of working in fashion compared to working in television 10:37
Interview: Ane Crabtree
On becoming the costume designer for the pilot of The Sopranos; on David Chase sending her to New Jersey to do research for the pilot of The Sopranos; on getting Yves Saint Laurent clothes for Lorraine Bracco's character, "Dr. Melfi" in The Sopranos pilot and how her outfits aligned with the color of her office; on collaborating with other departments to finalize costume designs for the pilot of The Sopranos; on her first meeting with James Gandolfini; on what happens during fittings with actors; on "Tony Soprano's" robe; on David Chase directing the pilot and what makes a good relationship between a costume designer and a director; on how working on The Sopranos pilot impacted her career 41:38
Interview: Ane Crabtree
Ane Crabtree on her first union job as a costume designer in television -- Swift Justice 02:08
Interview: Ane Crabtree | Genre: Drama Series
Ane Crabtree on her work as the costume designer for the pilot of The Sopranos; 41:38
Interview: Ane Crabtree | Genre: Drama Series
Ane Crabtree on her first union job in television -- Swift Justice -- and Don Kurt hiring her for the job 02:08
Interview: Ane Crabtree | Person: Don Kurt
Ane Crabtree on meeting with David Chase and becoming the costume designer for the pilot of The Sopranos 04:04
Interview: Ane Crabtree | Person: David Chase
Ane Crabtree on David Chase sending her to New Jersey to do research for the pilot of The Sopranos 06:16
Interview: Ane Crabtree | Person: David Chase
Ane Crabtree on Michael Mann sending her to research gamblers for her work on Luck 00:50
Interview: Ane Crabtree | Person: Michael Mann
Ane Crabtree on getting Yves Saint Laurent clothes for Lorraine Bracco's character, "Dr. Melfi" in The Sopranos pilot and how her outfits aligned with the color of her office 05:35
Interview: Ane Crabtree | Person: Lorraine Bracco
Ane Crabtree on learning about color from director of photography Alik Sakharov for the pilot of The Sopranos 01:39
Interview: Ane Crabtree | Person: Alik Sakharov
Ane Crabtree on her first meeting with James Gandolfini for The Sopranos 02:32
Interview: Ane Crabtree | Person: James Gandolfini
Ane Crabtree on David Chase directing The Sopranos pilot 01:58
Interview: Ane Crabtree | Person: David Chase
Ane Crabtree on what happens during costume fittings with actors 05:09
Interview: Ane Crabtree | Profession: Costume Designer
Ane Crabtree on what happens during costume fittings with actors 05:09
Interview: Ane Crabtree | Profession: Designers