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Nina Shaw on a seminal deal at Dern, Mason, Swerdlow & Floum that became the basis for the film Stand and Deliver, and before that, for an episode of American Playhouse

NIna Shaw on observing, from the outside, the pay discrepancies between Claire Foy and Matt Smith for their work on The Crown

Nina Shaw on important factors for her to secure for a client, and what she was able to negotiate in her American Playhouse deal

Nina Shaw on Norman Lear and Bud Yorkin creating the idea of spin-off shows and navigating the corresponding new legal territory

Nina Shaw on her interest in entertainment law and why she chose to work at O'Melveny & Myers in Los Angeles; on there being few African-American lawyers at O'Melveny & Myers when she joined; on working in the entertainment department of O'Melveny & Myers with another African-American lawyer and getting used to there not being many African-American lawyers at that time

Nina Shaw on negotiating talent deals in the 1970s and '80s and how race and gender affected salaries; on negotiating deals for minors

Nina Shaw on starting a firm with Ernie Del and Mike Rubel and on others who wanted to work at the firm; on the firm being a diverse group