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Kim Kimble on her experience doing hair on the film B.A.P.S., which was her first movie or television experience, and on how she learned the role of an on-set hair stylist on the job 07:11
Interview: Kim Kimble
Kim Kimble on attending beauty school, which she thought would allow her to eventually attend school to study fashion, but which instead led to her realizing that she loved doing hair and wanted to participate in hair shows and hair competitions 04:23
Interview: Kim Kimble
Kim Kimble on attending beauty school, which she thought would allow her to eventually attend school to study fashion, but which instead led to her realizing that she loved doing hair and wanted to participate in hair shows and hair competitions 04:23
Interview: Kim Kimble | Topic: Creative Influences and Inspiration
Kim Kimble on attending beauty school, which she thought would allow her to eventually attend school to study fashion, but which instead led to her realizing that she loved doing hair and wanted to participate in hair shows and hair competitions 04:23
Interview: Kim Kimble | Topic: Pivotal Career Moments
Kim Kimble on doing hair for the film B.A.P.S., which was her first experience working on a movie 07:11
Interview: Kim Kimble | Topic: First Big Break
Kim Kimble on doing hair for the film B.A.P.S., which was her first experience working on a movie 07:11
Interview: Kim Kimble | Topic: Pivotal Career Moments
On how she came to work on the Shonda Rhimes' miniseries Queen Charlotte: A Bridgerton Story, a spin-off from Bridgerton, and on her working relationship with Rhimes; on being typecast as a "period" costumer even though she's designed for so many different time periods in her career; on wanting to remain true to the Georgian period of the 1760s, and on that period having a very specific silhouette and imagery; on working on Queen Charlotte during the COVID-19 pandemic; on Shonda telling her it would be a "small, intimate show" but it actually being a huge show with a lot of costume changes, and on Queen Charlotte being a lot more work than Bridgerton which was set in the Regency period due to the sheer volume of the fabric and clothing used in the Georgian period; on loving the challenge of a period show 13:10
Interview: Lyn Paolo
On working intimately with actors in her profession and how the COVID-19 pandemic presented a challenge for her; on not borrowing any clothes from Bridgerton for the flash-forward scenes in Queen Charlotte; on making every costume for the show, and on "Charlotte's" wedding dresses; on the Coronation dress and how true to history the costumes of the show were; on the costumes for the "Stars and Moon Ball" episode of Queen Charlotte and some of the inspiration for the design; on the living statues representing the Zodiac for the ball scenes; on her favorite part of her job: being in the fitting room with the actors 17:51
Interview: Lyn Paolo
On the role of a costume designer: "we create the fabric of the world"; on creating real worlds through costume design, and on her design process once she receives a script; on decorating her workspace with pieces of fabric when she's working on costume designs; on using pencil and paper over computers in her process; on the commercialization of costumes and the questions involving intellectual property and ownership over the designs involving AI; on how the business of television is changing and the struggle to make a living, since the runs are much shorter (6-8 episodes) than when she started on series television; on her role models in fashion who were outside the television industry like Vivienne Westwood 15:18
Interview: Lyn Paolo
On what can be learned from the stories of elders in the industry who came before; on the value of being a mentor and mentoring; on the value of documenting oral histories and why it's valuable to the industry; on the advice she would give to those who want to get started in costume design and some of the sacrifices she's made; on mentors she had along the way and advice she received, particularly from actors she's worked with; on reflections about her legacy as a costume designer; on Queen Charlotte being her current-favorite show that she's worked on; on her career regrets and pilots that never developed into television shows; on where she sees herself years from now: "still costume designing" 17:53
Interview: Lyn Paolo
Lyn Paolo on being the costume designer on Queen Charlotte: A Bridgerton Story 28:38
Interview: Lyn Paolo | Genre: TV Movies/Miniseries/Dramatic Specials
Lyn Paolo on the advice she received early in her career from Mike Salamnunovich, the unit production manager on Homefront to be her own advocate 05:27
Interview: Lyn Paolo | Person: Mike Salamunovich
Lyn Paolo on her favorite part of being a costume designer: being in the fitting room with the actors 01:01
Interview: Lyn Paolo | Profession: Costume Designer
Lyn Paolo on the role of a costume designer: "we create the fabric of the world" 03:06
Interview: Lyn Paolo | Profession: Costume Designer
Lyn Paolo on her design process once she receives a script, on decorating her workspace with pieces of fabric when she's working on costume designs, and on using pencil and paper over computers in her process 03:59
Interview: Lyn Paolo | Profession: Costume Designer
Lyn Paolo on the commercialization of the industry, and on the questions and uncertainty involving intellectual property and ownership over the costume designs involving AI 03:49
Interview: Lyn Paolo | Profession: Costume Designer
Lyn Paolo on how the business of television is changing and the struggle to make a living since the runs are much shorter (6-8 episodes) than when she started on series television, on the business being mostly comprised of male designers when she was starting her career, and on her role models in fashion outside of the film/television industry, like Vivienne Westwood 03:13
Interview: Lyn Paolo | Profession: Costume Designer
Lyn Paolo on how the business of television is changing and the struggle to make a living since the runs are much shorter (6-8 episodes) than when she started on series television, on the business being mostly comprised of male designers when she was starting her career, and on her role models in fashion outside of the film/television industry, like Vivienne Westwood 03:13
Interview: Lyn Paolo | Profession: Designers
Lyn Paolo on her favorite part of being a costume designer: being in the fitting room with the actors 01:01
Interview: Lyn Paolo
Lyn Paolo on loving her job as a costume designer and enjoying creating costumes from scratch, like she had to do on Queen Charlotte: A Bridgerton Story 01:02
Interview: Lyn Paolo
Lyn Paolo on the role of a costume designer: "we create the fabric of the world" 03:05
Interview: Lyn Paolo
Lyn Paolo on the advice she received from unit production manager Mike Salamunovich on one of the first shows she worked on, Homefront, who encouraged her to believe in herself, be strong, and to be her own advocate 02:56
Interview: Lyn Paolo
Lyn Paolo on how she came to work on the Shonda Rhimes show Queen Charlotte: A Bridgerton Story, a spin-off from Bridgerton, set in 1761, and on the scope of the costume-work on the series -- a huge show with lots of costume changes and gowns made of 22 yards of fabric a piece 13:10
Interview: Lyn Paolo | Show: Queen Charlotte: A Bridgerton Story
Lyn Paolo on working intimately with actors in her profession and how COVID-19 presented a challenge for her during the pandemic, and on not being able to see because of the safety visors she had to wear because of the pandemic protocols on the set of Queen Charlotte: A Bridgerton Story 01:32
Interview: Lyn Paolo | Show: Queen Charlotte: A Bridgerton Story
Lyn Paolo on not borrowing any clothes from Bridgerton for the flash-forward scenes in Queen Charlotte: A Bridgerton Story, and on making every costume for the show 02:28
Interview: Lyn Paolo | Show: Queen Charlotte: A Bridgerton Story
Lyn Paolo on the wedding dresses "Charlotte" wore on Queen Charlotte: A Bridgerton Story -- one that was given to her and the second which the character brought with her to England, and on the embellishments to the dress, as well as the long cape, all of which were handmade 04:36
Interview: Lyn Paolo | Show: Queen Charlotte: A Bridgerton Story