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On the day President John F. Kennedy was assassinated (continued); on how the assassination and its aftermath changed television news; on why the murder of Lee Harvey Oswald was not broadcast on CBS 12:43
Interview: Dan Rather
On seeing the Zapruder film just a day or two after the assassination; on how he reported on the footage for CBS, and on losing out on the rights to Life magazine; on the emotional impact of the assassination; on conspiracy theories about the assassination 15:54
Interview: Dan Rather
Dan Rather on the emotional impact of the assassination of President John F. Kennedy and how he dealt with it as he reported on the events that day 02:53
Interview: Dan Rather | Profession: Journalists & News Producers
Dan Rather on the day President John F. Kennedy was assassinated, and on how the news that the president had passed away came to his newsroom 05:48
Interview: Dan Rather | Topic: JFK Assassination and Funeral
Dan Rather on the day President John F. Kennedy was assassinated, and on how the news that the president had passed away came to his newsroom 05:48
Interview: Dan Rather | Topic: Historic Events and Social Change
Dan Rather on how the assassination of President John F. Kennedy and its aftermath changed television news, by giving TV news credibility which it had previously lacked 02:29
Interview: Dan Rather | Topic: JFK Assassination and Funeral
Dan Rather on how the assassination of President John F. Kennedy and its aftermath changed television news, by giving TV news credibility which it had previously lacked 02:29
Interview: Dan Rather | Topic: Historic Events and Social Change
Dan Rather on why the murder of Lee Harvey Oswald was not broadcast on CBS 04:26
Interview: Dan Rather | Topic: JFK Assassination and Funeral
Dan Rather on why the murder of Lee Harvey Oswald was not broadcast on CBS 04:26
Interview: Dan Rather | Topic: Historic Events and Social Change
Dan Rather on how he came to view the Zapruder film just a day or two after the assassination of President Kennedy, and on the experience of watching the footage at the time 05:39
Interview: Dan Rather | Topic: JFK Assassination and Funeral
Dan Rather on how he came to view the Zapruder film just a day or two after the assassination of President Kennedy, and on the experience of watching the footage at the time 05:39
Interview: Dan Rather | Topic: Historic Events and Social Change
Dan Rather on how he reported on the Zapruder film for CBS, after viewing it just a day or two after President Kennedy's assassination 02:20
Interview: Dan Rather | Topic: JFK Assassination and Funeral
Dan Rather on how he reported on the Zapruder film for CBS, after viewing it just a day or two after President Kennedy's assassination 02:20
Interview: Dan Rather | Topic: Historic Events and Social Change
Dan Rather on losing out on the rights to the Zapruder film to Life magazine 02:53
Interview: Dan Rather | Topic: JFK Assassination and Funeral
Dan Rather on losing out on the rights to the Zapruder film to Life magazine 02:53
Interview: Dan Rather | Topic: Historic Events and Social Change
Dan Rather on the emotional impact of the Kennedy assassination and how he dealt with it on the day, and on conspiracy theories surrounding the assassination 05:02
Interview: Dan Rather | Topic: JFK Assassination and Funeral
Dan Rather on the emotional impact of the Kennedy assassination and how he dealt with it on the day, and on conspiracy theories surrounding the assassination 05:02
Interview: Dan Rather | Topic: Historic Events and Social Change
On her childhood and growing up in Sunderland, England, an industrial working-class town; on being an avid reader 02:30
Interview: Lyn Paolo
On being interested in movies and Hollywood growing up during the 1960s; on the fashion scene in England and how music and musicians informed the fashion of the day; on going to college to become a teacher and studying English literature and history; on meeting her husband Pasquale Paolo; on her decision to leave England for the United States; on moving to Los Angeles and not being able to find work as a teacher 05:02
Interview: Lyn Paolo
On how her first experience in television and film production came about; on working at the Film Consortium; on her first job answering phones; on working for Richard Kerns and being offered a job as a commercial stylist 04:32
Interview: Lyn Paolo
On the first television show she worked on, Dallas, and how she came to be hired; on working with actors Larry Hagman and Patrick Duffy who advocated for her to take over the women's costume department as costume supervisor on the show when Nanrose Buchman left; on what the job entailed; on how Agnes Henry, another costume supervisor, showed her what to do; on how Dallas impacted her career; on how she was recommended to work on Homefront, which was set during World War II, and on working on a period show; on working with Christopher Chulack; on transitioning from costume supervisor to costume director and what that entailed 08:41
Interview: Lyn Paolo
On what her role as a costume supervisor was on Homefront and what differentiated a supervisor from a costume designer; on how the Costume Designers Guild differentiated the roles; on being nominated for her first Emmy for Homefront, and on finally joining the Costume Designers Guild; on what Homefront meant to her in her career; on what is involved with designing a period show; on where she sourced vintage materials, and on the challenges of working with vintage materials for a period show; on her detailed process for how she approached designing for a show once she receives a script; on working with actors and her role in helping the actor "feel like they've become another human being"; on actors being amazing chameleons 16:00
Interview: Lyn Paolo
On the the two back-to-back Emmy wins she received for Homefront; on attending the Emmys ceremony with Christopher Chulack; on not being able to get a job after her Emmy wins because she was typecast as doing period shows; on how Patrick Duffy helped get her hired on his show Step by Step; on working on a multi-camera sitcom; on working with Suzanne Somers; on how Step by Step led to her getting hired on ER; on meeting John Wells, the show runner and executive producer of ER; on balancing work on both shows at the same time 11:21
Interview: Lyn Paolo
On her role as costume designer on ER; on the challenges of designing clothes for the voluminous number of extras on a show based in a hospital emergency room; on her frustration that the audience thought the extras wore their own clothes to set; on how she worked to tell the story of a character in an instant by how they were dressed; on what makes a good working relationship with a producer, and on working with John Wells; on the crew she worked with in the costume department on ER; on the specific challenges of the 360 Steadicam shooting style of ER, which meant every person in view in each scene had to be costumed; on preparing to work on the ER live episode 22:57
Interview: Lyn Paolo
Lyn Paolo on how Knots Landing costume designer Agnes G. Henry helped guide her in her career as a costume supervisor then costume designer on Dallas, and on how Agnes further helped Lyn get recommended for a job on Homefront, which would garner Paolo her first two Emmy wins 04:09
Interview: Lyn Paolo | Person: Agnes G. Henry
Lyn Paolo on being introduced to John Wells by Christopher Chulack on the show Mystery Dance, and on being hired by Wells to be the costume designer on ER 02:46
Interview: Lyn Paolo | Person: John Wells
Lyn Paolo on how Patrick Duffy (who she had worked with on Dallas) recommended her for the job of costume supervisor on his show Step by Step 02:14
Interview: Lyn Paolo | Person: Patrick Duffy
Lyn Paolo on working with producer John Wells on ER and what makes a good working relationship between a producer and costume designer 02:50
Interview: Lyn Paolo | Person: John Wells