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On his year as one of the rotating directors on Peyton Place; on the good-natured relationship he had with star Ryan O'Neal; on how Mia Farrow came to impulsively cut her hair short following an altercation that happened on Peyton Place; on the ease of shooting Peyton Place for him due to the closeness of the studio and its vast resources 09:03
Interview: Jeffrey Hayden
On the rotating format of The Bold Ones; on the real-life contemporary medical issues addressed on The Bold Ones segment The New Doctors; on The New Doctors lead E. G. Marshall's talent; on writer-producer Roy Huggins' technique and talent for writing scripts; on the premise of Alias Smith and Jones; on his penchant for directing westerns; on the difficulty in location shooting on Alias Smith and Jones; on his reputation as a director who delivered on time; on Alias Smith and Jones lead Pete Deuel's personality and intellect and his suicide during the show's second season 13:10
Interview: Jeffrey Hayden
On the quality work that was done on Mannix; on Raymond Burr's great story sense on Ironside, but the difficulties in accommodating his contractual agreement that he would not do location work and would require TelePrompters for his scenes; on Quincy's plots, including the episode "Seldom Silent, Never Heard," that influenced the passing of the Orphan Drug Act (ODA) 11:10
Interview: Jeffrey Hayden
Jeffrey Hayden on his affinity for the western genre, having directed for such series as The Men from Shiloh and Alias Smith and Jones 00:42
Interview: Jeffrey Hayden | Genre: Western Series
Jeffrey Hayden on the difficulty in location shooting on Alias Smith and Jones 00:42
Interview: Jeffrey Hayden | Genre: Western Series
Jeffrey Hayden on The Donna Reed Show's ensemble and how Reed interacted with them 01:23
Interview: Jeffrey Hayden | Person: Carl Betz
Jeffrey Hayden on The Donna Reed Show's ensemble and how Reed interacted with them 01:23
Interview: Jeffrey Hayden | Person: Shelley Fabares
Jeffrey Hayden on getting hired for The Andy Griffith Show (and having known Griffith from their college days together) 00:47
Interview: Jeffrey Hayden | Person: Andy Griffith
Jeffrey Hayden on working with 77 Sunset Strip producer Joel Rogosin 00:42
Interview: Jeffrey Hayden | Person: Joel Rogosin
Jeffrey Hayden on how Lloyd Bridges required long hours on The Lloyd Bridges Show (and how Hayden quit smoking at this point in his life) 04:26
Interview: Jeffrey Hayden | Person: Lloyd Bridges
Jeffrey Hayden on producer Aaron Spelling and the celebrity line-up on Burke's Law 02:15
Interview: Jeffrey Hayden | Person: Aaron Spelling
Jeffrey Hayden on the good-natured relationship he had with star Ryan O'Neal 00:33
Interview: Jeffrey Hayden | Person: Ryan O'Neal
Jeffrey Hayden on how Mia Farrow came to impulsively cut her hair short following an altercation that happened on Peyton Place 03:38
Interview: Jeffrey Hayden | Person: Mia Farrow
Jeffrey Hayden on how Mia Farrow came to impulsively cut her hair short and Paul Monash's solution to the problem on the set of Peyton Place 03:38
Interview: Jeffrey Hayden | Person: Paul Monash
Jeffrey Hayden on E. G. Marshall's talent on The Bold Ones 01:45
Interview: Jeffrey Hayden | Person: E. G. Marshall
Jeffrey Hayden on writer-producer Roy Huggins' technique and talent for writing scripts 01:32
Interview: Jeffrey Hayden | Person: Roy Huggins
Jeffrey Hayden on Alias Smith and Jones lead Pete Deuel's personality and intellect and his suicide during the show's second season 02:11
Interview: Jeffrey Hayden | Person: Pete Deuel
Jeffrey Hayden on the quality work that was done on Mannix (and reuniting with Donna Reed Show cinematographer Gert Andersen) 01:56
Interview: Jeffrey Hayden | Person: Gert Andersen
Jeffrey Hayden on Raymond Burr's great story sense on Ironside, but the difficulties in accommodating his contractual agreement that he would not do location work and would require TelePrompters for his scenes 03:27
Interview: Jeffrey Hayden | Person: Raymond Burr
Jeffrey Hayden on Quincy's plots, including the episode "Seldom Silent, Never Heard," that influenced the passing of the Orphan Drug Act (ODA) 04:20
Interview: Jeffrey Hayden | Person: Jack Klugman
Jeffrey Hayden on The Donna Reed Show's ensemble and how Reed interacted with them 01:23
Interview: Jeffrey Hayden
Jeffrey Hayden on getting hired for The Andy Griffith Show (and having known Griffith from their college days together) 00:47
Interview: Jeffrey Hayden
Jeffrey Hayden on Leave it to Beaver as not as satisfying as his other sitcom work 01:02
Interview: Jeffrey Hayden
Jeffrey Hayden on how he and the cast would work on new ideas for their current scripts at lunch on 77 Sunset Strip 01:49
Interview: Jeffrey Hayden
Jeffrey Hayden on how Lloyd Bridges required long hours on The Lloyd Bridges Show (and how Hayden quit smoking at this point in his life) 04:26
Interview: Jeffrey Hayden
Jeffrey Hayden on how Mia Farrow came to impulsively cut her hair short following an altercation that happened on Peyton Place 03:38
Interview: Jeffrey Hayden
Jeffrey Hayden on Raymond Burr's great story sense on Ironside, but the difficulties in accommodating his contractual agreement that he would not do location work and would require TelePrompters for his scenes 03:27
Interview: Jeffrey Hayden
Jeffrey Hayden on The Donna Reed Show's ensemble and how Reed interacted with them 01:23
Interview: Jeffrey Hayden | Show: Donna Reed Show, The
Jeffrey Hayden on the schedule of The Donna Reed Show 00:50
Interview: Jeffrey Hayden | Show: Donna Reed Show, The