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In his one-and-a-half hour interview for the American Comedy Archives at Emerson College, Jamie Masada talks about how he came to found the Laugh Factory, and Richard Pryor being the...

In their three-hour, joint Emerson Comedy Archive interview, Rocky (1921-2016) and Irma Kalish (1924-2021) discuss their backgrounds, and how they met and married. In a free-wheeling discussion, they touch on...

In their three-hour, joint Emerson Comedy Archive interview, Rocky (1921-2016) and Irma Kalish (1924-2021) discuss their backgrounds, and how they met and married. In a free-wheeling discussion, they touch on...

In his one-hour interview for the American Comedy Archives at Emerson College, “Weird Al” Yankovic talks about his early years, and his first break, getting his music played on the...

In his two-hour interview, Barry Manilow talks about his early life, including the bands he played with as a teen and his early interest in orchestration. He discusses working in...

In his two-and-a-half-hour interview, Tom Brokaw talks about his early life, including early television news reporting jobs with various local stations around the country. He recalls his stint as the...

In his three-hour interview, Dean Hargrove talks about his early years, and his first television writing job, on the 1961-62 version of The Bob Newhart Show. He recalls working with...

In her two-and-a-half-hour interview, Julie Ann Johnson talks about her early years, and her decision to get into stunt work. She recalls working on shows like Petticoat Junction, The Doris...

In his four-hour interview, Robert Caminiti (1937-2025) talks about his early years and being hired by NBC. He recalls becoming a stage manager for NBC at 30 Rockefeller Plaza, where...

In her two-hour interview, Cybill Shepherd describes her childhood growing up in Memphis, TN and discusses her early modeling career. She talks about her first film role in The Last...

In his three-and-a-half-hour interview, Charles Floyd Johnson discusses his early interest in the entertainment industry and attending Howard University for both undergraduate studies and for law school. He talks of...

In his nearly two-and-a-half-hour interview, Milton Delugg (1918-2015) talks about his early professional jobs before his service in World War II, including a job in the orchestra at Paramount. He...

In his three-hour interview, Alan Neuman (1924-2008) talks about joining NBC as a page in 1947 and his rise through the ranks as stage manager and then director. He describes...

In his three-and-a-half-hour interview, Horton Foote (1916-2009) discusses writing for "live" television dramatic anthology series. He talks about his relationship with producer Fred Coe, who started him in television and...

In her two-hour-plus interview, Mitzi Gaynor (1931-2024) talks about her early interest in dance and music. She recalls joining the Los Angeles Civic Light Opera Company, getting signed by 20th...

In his three-and-a-half-hour interview, Bob Doyle (1921-1999) discusses how, in 1948, he became one of the network directors for the first national political convention ever televised. He describes being the...

In his over three-hour interview, Albert Heschong (1919-2001) speaks at length about the craft of art direction for television, and details his own background in theatrical productions. He recalls his...

In his two-hour interview, David Shaw (1916-2007) discusses his prolific career as a television writer. He talks of his start in TV with the 1949 ABC "live" dramatic anthology series...

In his four-hour interview, Delbert Mann (1920-2007) talks about studying at the Yale School of Drama and his transition to television following his service in the Air Force during World...

In his nearly three-hour interview, Don Hastings talks about his early years in theater and radio. He then recalls his television debut on the DuMont network. He describes in great...