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Interview

Tom Bergeron

In his four-hour interview, Tom Bergeron describes his early interest in broadcasting, which led him to call and interview Moe Howard and Larry Fine of the Three Stooges at age...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Alan Ball

In his two-hour interview, Alan Ball describes his career writing for the stage, film, and television. He discusses growing up in Georgia and developing an interest in playwriting in college...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Ann Marcus

In her nearly four-hour interview, Ann Marcus (1921-2014) talks about her early interest in writing, which led her to become a "copy boy" at The New York Daily News and...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Maury Povich

In the two-hour solo portion of his interview, Maury Povich talks about his career in radio news before entering the world of television. He describes becoming the long-time host of...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Al Lewis

In his hour-and-a-half interview, Al Lewis (1910-2006) talks about his career as a traveling medicine salesman and working at various radio stations. He discusses his early career in television and...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Douglas S. Cramer

In his nearly three-and-a-half-hour interview, Douglas S. Cramer (1931-2021) talks about his early life and his first foray into television at Procter & Gamble. He describes the development of his...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Al Roker

In his one-and-a-half-hour interview, Al Roker describes his childhood in New York and his early interests in animation and directing. He talks of his years at SUNY Oswego and his...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Herb Granath

In his five-hour interview, Herb Granath (1928-2019) discusses his start in the entertainment industry as a college student working in the Page Program at NBC. He talks of becoming a...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Thomas Azzari

In his three-hour interview, Thomas Azzari talks about his early interest in art design and how he rose through the ranks of the CBS art department to become a set...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Asaad Kelada

In his three-hour interview, Asaad Kelada discusses how he began his long and successful career as a TV director. He speaks of serving as an apprentice on the sitcom Rhoda...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Connie Chung

In the two-and-a-half-hour solo portion of her interview, Connie Chung outlines her career in journalism. She discusses her family's move from China to the United States, her childhood in the...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Robert E. Costello

In his four-hour interview, Robert E. Costello (1921-2014) discusses his start at NBC as a production manager on many live shows including Mr. Peepers, on which he worked closely with...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Lucy Jarvis

In her two-and-a-half-hour interview, Lucy Jarvis (1917-2020) chronicles her early years and how a degree in home economics led to her work at McCall's magazine in the 1940s. She speaks...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Tony Mottola

In his two-and-a-half-hour interview, Tony Mottola (1918-2004) talks about his roots as a member of The George Hall Orchestra. He describes his beginnings at CBS radio, which led to his...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Robert Trout

In his four-hour interview, Robert Trout (1909-2000) talks about his career as a reporter, starting in 1932 at WTOP-AM in Washington, D.C. He discusses introducing Franklin D. Roosevelt's now-famous fireside...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Julian Fellowes

In his hour-and-a-half interview, Julian Fellowes talks about his early life and discovering his interest in performing. He recalls his first experiences as an actor and making the decision early...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Paul LaMastra

In his nearly three-hour interview, editor Paul LaMastra describes his early life and education and his stint living in Japan. He recalls working in the sound effects department at Paramount...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Donald Hall

In his two-hour interview, Donald Hall (1928-2024), the chairman of Hallmark Cards, Inc., recalls the beginnings of his family's company, starting out as a greeting card firm and later moving...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Gail Parent

In her three-hour-plus interview, Gail Parent discusses becoming the only female writer for a variety show when she joined the staff of The Carol Burnett Show in 1967. She talks...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Gareth Neame

In his one-hour interview, Gareth Neame talks about his early years and being part of a show business family. He describes his first years at the BBC as a floor...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.