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Sid and Marty Krofft on creating and pitching Lidsville 02:02
Interview: Sid Krofft | Show: Lidsville
Sid and Marty Krofft on the hat characters on Lidsville 00:53
Interview: Sid Krofft | Show: Lidsville
Sid and Marty Krofft on creating Sigmund and the Sea Monsters and some characters being partly based on the British (original) version of All in the Family, ('Til Death Do Us Part) 01:39
Interview: Sid Krofft | Show: All in the Family
Sid and Marty Krofft on creating Land of the Lost 01:06
Interview: Sid Krofft | Show: Land of the Lost
On how Angela Lansbury's appeal was the reason for the popularity of Murder, She Wrote; on Natalie Wood's fear of deep/dark waters while shooting the TV movie The Memory of Eva Ryker, one of her last projects 09:44
Interview: Walter E. Grauman
On his experiences making the TV movie The Forgotten Man, including an eye-opening session on learning how the Viet Cong operated from military consultants 07:49
Interview: Walter E. Grauman
On his directorial style, especially in regard to camera movement in his work; on how Blake Edwards advised him on not making artistic compromises on Peter Gunn 11:27
Interview: Walter E. Grauman
B-roll of Grauman showing several behind-the-scenes photos from his career in TV 31:00
Interview: Walter E. Grauman
Director Walter Grauman on how Angela Lansbury's appeal was the reason for the popularity of Murder, She Wrote 00:51
Interview: Walter E. Grauman | Person: Angela Lansbury
Director Walter Grauman on Buddy Ebsen's likability (comparing him to Angela Lansbury, who he worked with on Murder, She Wrote) 00:59
Interview: Walter E. Grauman | Person: Buddy Ebsen
Director Walter Grauman on Natalie Wood's fear of deep/dark waters while shooting the TV movie The Memory of Eva Ryker, one of her last projects 05:30
Interview: Walter E. Grauman | Person: Natalie Wood
Director Walter Grauman on a tricky lighting set up done by Russell Metty on Peter Gunn (that worked for the camera, but was hard on the actors due to the intense heat from the lighting) 01:04
Interview: Walter E. Grauman | Person: Russell Metty
Director Walter Grauman on how Blake Edwards (ironically) advised him not to make artistic compromises on Peter Gunn 00:59
Interview: Walter E. Grauman | Person: Blake Edwards
Director Walter Grauman on the importance of camera movement to his directorial style 02:39
Interview: Walter E. Grauman | Profession: Directors
Director Walter Grauman on how Angela Lansbury's appeal was the reason for the popularity of Murder, She Wrote 01:12
Interview: Walter E. Grauman
Director Walter Grauman on Barnaby Jones star Buddy Ebsen's likability (comparing him to Angela Lansbury, who he worked with on Murder, She Wrote) 01:04
Interview: Walter E. Grauman
Director Walter Grauman on Natalie Wood's fear of deep/dark waters while shooting the TV movie The Memory Of Eva Ryker, one of her last projects 05:30
Interview: Walter E. Grauman
Director Walter Grauman on a tricky lighting set up done by Russell Metty on Peter Gunn (that worked for the camera, but was hard on the actors due to the intense heat from the lighting) 01:06
Interview: Walter E. Grauman
Director Walter Grauman on how Blake Edwards (ironically) advised him not to make artistic compromises on Peter Gunn 00:58
Interview: Walter E. Grauman
Director Walter Grauman on how Angela Lansbury's appeal was the reason for the popularity of Murder, She Wrote 00:51
Interview: Walter E. Grauman | Show: Murder, She Wrote
Director Walter Grauman on Barnaby Jones star Buddy Ebsen's likability (comparing him to Angela Lansbury, who he worked with on Murder, She Wrote) 00:59
Interview: Walter E. Grauman | Show: Barnaby Jones
Director Walter Grauman on Natalie Wood's fear of deep/dark waters while shooting the TV movie The Memory of Eva Ryker, one of her last projects 05:30
Interview: Walter E. Grauman | Show: Memory of Eva Ryker, The
Director Walter Grauman on learning how the Viet Cong operated from military consultants on the TV movie The Forgotten Man 03:56
Interview: Walter E. Grauman | Show: Forgotten Man, The
Director Walter Grauman on losing his Asian extras at 4 PM, while shooting the TV movie The Forgotten Man 01:26
Interview: Walter E. Grauman | Show: Forgotten Man, The
Director Walter Grauman relates the plot of the TV movie The Forgotten Man [SPOILERS] 01:13
Interview: Walter E. Grauman | Show: Forgotten Man, The
Director Walter Grauman on his visual style and acknowledging a quote in the book The Untouchables by Tise Vahimagi, which is as follows: "[in the episode "The Purple Gang"] the prominent use of peculiar angles and enforced shadows was perfectly in keeping with the TV style of regular Untouchables director Walter Grauman" (p. 81) 02:37
Interview: Walter E. Grauman | Show: Untouchables, The
Director Walter Grauman on a tricky lighting set up done by Russell Metty on the Peter Gunn episode "Edie Finds a Corpse" (that worked for the camera, but was hard on the actors due to the intense heat from the lighting) 01:03
Interview: Walter E. Grauman | Show: Peter Gunn
Director Walter Grauman on how Blake Edwards (ironically) advised him not to make artistic compromises on Peter Gunn 00:58
Interview: Walter E. Grauman | Show: Peter Gunn
Director Walter Grauman on how Blake Edwards (ironically) advised him on not making artistic compromises on Peter Gunn 00:59
Interview: Walter E. Grauman | Topic: Creative Influences and Inspiration