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Sid and Marty Krofft on their theme park, The World of Sid and Marty Krofft 02:54
Interview: Marty Krofft
Sid and Marty Krofft on the concept and production of Land of the Lost 03:11
Interview: Marty Krofft | Show: Land of the Lost
Sid and Marty Krofft on the writers on Land of the Lost coming from Star Trek 00:33
Interview: Marty Krofft | Show: Land of the Lost
Sid and Marty Krofft on the writers on Land of the Lost coming from Star Trek 00:33
Interview: Marty Krofft | Show: Star Trek
Sid and Marty Krofft on the success of Land of the Lost 00:51
Interview: Marty Krofft | Show: Land of the Lost
Sid and Marty Krofft on their favorite episodes of Land of the Lost 01:07
Interview: Marty Krofft | Show: Land of the Lost
Sid and Marty Krofft on producing on Donny & Marie 02:43
Interview: Marty Krofft | Show: Donny & Marie
Sid and Marty Krofft on working with the Osmond family on Donny & Marie 01:33
Interview: Marty Krofft | Show: Donny & Marie
Sid and Marty Krofft on working on The Brady Bunch Hour 03:20
Interview: Marty Krofft | Show: Brady Bunch Hour, The
Sid and Marty Krofft on Michael Eisner being a mentor and offering them opportunities 00:31
Interview: Marty Krofft | Topic: Creative Influences and Inspiration
Sid and Marty Krofft on Michael Eisner being a mentor and offering them opportunities 00:31
Interview: Marty Krofft | Topic: Pivotal Career Moments
On his background; on getting hired at Universal Studios; on starting his own popcorn business; on getting his start in TV co-directing/producing the series Lights, Camera, Action; on host Walter Woolf King and "live TV" 59:36
Interview: Walter E. Grauman
On being sued by Hollywood Screen Test producer Lester Lewis (Grauman misidentifies him as Lester White) for Lights, Camera, Action's similarity in concept; on breaking into directing at NBC and working on Albert McCleery's Cameo Theatre and Matinee Theater 43:18
Interview: Walter E. Grauman
On several memorable touch-and-go incidents on the 1950s "live" anthology series Matinee Theater 28:00
Interview: Walter E. Grauman
On the Hollywood Blacklist (hiring former blacklistee Jeff Corey, discovering that "Joel Carpenter" was Arnold Manoff's pseudonym) 11:04
Interview: Walter E. Grauman
Producer-director Walter Grauman on the flubs made by Lights, Camera, Action (1950) emcee Walter Woolf King on "live" TV 01:19
Interview: Walter E. Grauman | Person: Walter Woolf King
Director Walter Grauman on actress Sarah Churchill needing to get bailed out of jail to make her "live" appearance on Matinee Theater 02:59
Interview: Walter E. Grauman | Person: Sarah Churchill
Director Walter Grauman on working with boxer Primo Carnera on Matinee Theater: "Frankenstein" (airdate: 2/5/57), in which an overzealous and unrehearsed Carnera (playing Frankenstein's monster) threw a stuntman through the scenery 03:28
Interview: Walter E. Grauman | Person: Primo Carnera
Director Walter Grauman on how a superstition led Sylvia Sidney to forget the final line on "live" TV for a Matinee Theater show [tentatively identified by Grauman as "Death of a Salesman" but possibly "The Gift and the Giver" (airdate: 12/16/57)] 01:23
Interview: Walter E. Grauman | Person: Sylvia Sidney
Director Walter Grauman briefly on Cameo Theatre and Matinee Theater creator/producer Albert McCleery 00:30
Interview: Walter E. Grauman | Person: Albert McCleery
Director Walter Grauman on the indelible impression left on him by newcomer Charles Bronson during production of the Colt .45 episode "Young Gun" 01:29
Interview: Walter E. Grauman | Person: Charles Bronson
Director Walter Grauman on hiring formerly blacklisted actor Jeff Corey on The Untouchables (and how Corey nearly lost the job) 01:20
Interview: Walter E. Grauman | Person: Jeff Corey
Director Walter Grauman on the Naked City episode "Hold for Gloria Christmas," recalling it for early appearances by Alan Alda and Jessica Walter, as well as for writer "Joel Carpenter" who he discovered was blacklisted Arnold Manoff's pseudonym 03:22
Interview: Walter E. Grauman | Person: Alan Alda
Director Walter Grauman on the Naked City episode "Hold for Gloria Christmas," recalling it for early appearances by Alan Alda and Jessica Walter, as well as for writer "Joel Carpenter" who he discovered was blacklisted Arnold Manoff's pseudonym 03:22
Interview: Walter E. Grauman | Person: Arnold Manoff
Director Walter Grauman on the Naked City episode "Hold for Gloria Christmas," recalling it for early appearances by Alan Alda and Jessica Walter, as well as for writer "Joel Carpenter" who he discovered was blacklisted Arnold Manoff's pseudonym 03:22
Interview: Walter E. Grauman | Person: Jessica Walter
Walter Grauman on getting into TV, co- writing, directing, and producing the talent show Lights, Camera, Action 01:26
Interview: Walter E. Grauman
Director Walter Grauman on actress Sarah Churchill needing to get bailed out of jail to make her live appearance on Matinee Theater 03:20
Interview: Walter E. Grauman
Director Walter Grauman on working with boxer Primo Carnera on Matinee Theater: Frankenstein (airdate: 2/5/57), in which an overzealous and unrehearsed Carnera (playing Frankenstein's monster) threw a stuntman through the scenery 03:29
Interview: Walter E. Grauman
Director Walter Grauman on how a superstition led Sylvia Sidney to forget the final line on live TV for a Matinee Theater show [tentatively identified by Grauman as "Death of a Salesman" but possibly "The Gift and the Giver" (airdate: 12/16/57)] 01:29
Interview: Walter E. Grauman
Producer-director Walter Grauman on the flubs made by Lights, Camera, Action (1950) emcee Walter Woolf King on live TV 01:31
Interview: Walter E. Grauman