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Lee Holdridge on working with Ron Koslow and George R.R. Martin on Beauty and the Beast 03:38

Interview: Lee Holdridge | Person: George R.R. Martin

Lee Holdridge on the role of an orchestrator vs. the role of a composer 03:43

Interview: Lee Holdridge | Profession: Music Professionals

Lee Holdridge on the role of an orchestrator vs. the role of a composer 03:43

Interview: Lee Holdridge | Profession: Composer

Lee Holdridge on the most important skill a film composer must have 00:58

Interview: Lee Holdridge | Profession: Composer

Lee Holdridge on the most important skill a film composer must have 00:58

Interview: Lee Holdridge | Profession: Music Professionals

Lee Holdridge on working with temp tracks 02:46

Interview: Lee Holdridge | Profession: Music Professionals

Lee Holdridge on working with temp tracks 02:46

Interview: Lee Holdridge | Profession: Composer

Lee Holdridge on differences between writing music for film and for television 01:56

Interview: Lee Holdridge | Profession: Music Professionals

Lee Holdridge on differences between writing music for film and for television 01:56

Interview: Lee Holdridge | Profession: Composer

Lee Holdridge on working on multiple projects as once 01:48

Interview: Lee Holdridge | Profession: Music Professionals

Lee Holdridge on working on multiple projects as once 01:48

Interview: Lee Holdridge | Profession: Composer

Lee Holdridge on working with studio musicians 05:07

Interview: Lee Holdridge | Profession: Music Professionals

Lee Holdridge on working with studio musicians 05:07

Interview: Lee Holdridge | Profession: Composer

Lee Holdridge on believing creativity can not be taught 00:43

Interview: Lee Holdridge | Profession: Music Professionals

Lee Holdridge on believing creativity can not be taught 00:43

Interview: Lee Holdridge | Profession: Composer

Lee Holdridge on conducting 03:00

Interview: Lee Holdridge | Profession: Music Professionals

Lee Holdridge on classical composers who would have made good film scorers 01:23

Interview: Lee Holdridge

Lee Holdridge on his work on documentaries, including The Long Way Home and the Simon Wiesenthal films; on scoring emotion and working with director Richard Trank 07:55

Interview: Lee Holdridge

Lee Holdridge on the final cue in the film Jonathan Livingston Seagull 03:13

Interview: Lee Holdridge

Lee Holdridge on a joke he played on a viola player 02:19

Interview: Lee Holdridge

Lee Holdridge on the significance of awards on creativity 02:12

Interview: Lee Holdridge

Lee Holdridge on writing music for animated films 01:26

Interview: Lee Holdridge

Lee Holdridge on the possibility of life on other planets 00:33

Interview: Lee Holdridge

Lee Holdridge on turning a music cue into a longer orchestral piece, "Elegy," and his thoughts on his music being played at concerts 04:49

Interview: Lee Holdridge

Lee Holdridge on dream projects and what he'd still like to do 01:14

Interview: Lee Holdridge

Lee Holdridge on how he'd like to be remembered 00:52

Interview: Lee Holdridge

Lee Holdridge on working on the TV miniseries East of Eden 00:17

Interview: Lee Holdridge | Show: East of Eden

Lee Holdridge on working with Ron Koslow and George R.R. Martin on Beauty and the Beast 03:38

Lee Holdridge on the role of an orchestrator vs. the role of a composer 03:43

Lee Holdridge on the role of an orchestrator vs. the role of a composer 03:43

Lee Holdridge on the most important skill a film composer must have 00:58

Lee Holdridge on the most important skill a film composer must have 00:58

Lee Holdridge on working with temp tracks 02:46

Lee Holdridge on working with temp tracks 02:46

Lee Holdridge on differences between writing music for film and for television 01:56

Lee Holdridge on differences between writing music for film and for television 01:56

Lee Holdridge on working on multiple projects as once 01:48

Lee Holdridge on working on multiple projects as once 01:48

Lee Holdridge on working with studio musicians 05:07

Lee Holdridge on working with studio musicians 05:07

Lee Holdridge on believing creativity can not be taught 00:43

Lee Holdridge on believing creativity can not be taught 00:43

Lee Holdridge on conducting 03:00

Lee Holdridge on classical composers who would have made good film scorers 01:23

Lee Holdridge on scoring the film The Tuskegee Airmen 02:54

Lee Holdridge on being very insecure 00:32

Lee Holdridge on performing his theme for the film Splash 01:01

Lee Holdridge on his work on documentaries, including The Long Way Home and the Simon Wiesenthal films; on scoring emotion and working with director Richard Trank 07:55

Lee Holdridge on the final cue in the film Jonathan Livingston Seagull 03:13

Lee Holdridge on a joke he played on a viola player 02:19

Lee Holdridge on the significance of awards on creativity 02:12

Lee Holdridge on writing music for animated films 01:26

Lee Holdridge on the possibility of life on other planets 00:33

Lee Holdridge on turning a music cue into a longer orchestral piece, "Elegy," and his thoughts on his music being played at concerts 04:49

Lee Holdridge on dream projects and what he'd still like to do 01:14

Lee Holdridge on how he'd like to be remembered 00:52

Lee Holdridge on working on the TV miniseries East of Eden 00:17