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Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley 03:05
Interview: Imero Fiorentino | Topic: TV's Golden Age (1940s & '50s)
Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley 03:05
Interview: Imero Fiorentino | Topic: Anthology Drama
Imero Fiorentino on Paul Whiteman's Goodyear Revue, with Glenn Osser (conducting) and Paul Whiteman and a story about an opera singer who refused to sing the show's finale 04:26
Interview: Imero Fiorentino | Topic: TV's Golden Age (1940s & '50s)
On Telstar I, the satellite that relayed the first live transatlantic transmission on July 10, 1962— the American flag outside the sending station at Andover, Maine; on working with Presidents on their television appearances; on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could 10:12
Interview: Imero Fiorentino
On working on lighting Disney's Epcot Center; on then-current projects; on studio lighting; on advice to aspiring lighting directors; on creating a good lighting plan; on working with new technology; on how he'd like to be remembered 14:13
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could; also the issues he had lighting JFK due to RFK's interference 06:04
Interview: Imero Fiorentino | Genre: News and Documentary
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could; also the issues he had lighting JFK due to RFK's interference 06:04
Interview: Imero Fiorentino | Person: John F. Kennedy
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could; also the issues he had lighting JFK due to RFK's interference 06:04
Interview: Imero Fiorentino | Person: Richard M. Nixon
Lighting Director Imero Fiorentino on the issues he had lighting JFK due to RFK's interference 06:04
Interview: Imero Fiorentino | Person: Robert F. Kennedy
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could; also the issues he had lighting JFK due to RFK's interference 05:37
Interview: Imero Fiorentino | Person: William S. Paley
Imero Fiorentino on Telstar I, the satellite that relayed the first live transatlantic transmission on July 10, 1962— the American flag outside the sending station at Andover, Maine 03:24
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could 06:04
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on lighting Disney's Epcot Center 01:43
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on advice to aspiring lighting directors 01:36
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on creating a good lighting plan 02:02
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on how he'd like to be remembered 02:16
Interview: Imero Fiorentino
Lighting Director Imero Fiorentino on Telstar I, the satellite that relayed the first live transatlantic transmission on July 10, 1962— the American flag outside the sending station at Andover, Maine 03:28
Interview: Imero Fiorentino | Topic: Technological Innovation
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could; also the issues he had lighting JFK due to RFK's interference 06:04
Interview: Imero Fiorentino | Topic: Television and the Presidency
Lighting Director Imero Fiorentino on lighting the 1960 Presidential debates starting with the second one, following the first debate wherein Richard Nixon looked badly, making the best improvements he could; also the issues he had lighting JFK due to RFK's interference 06:04
Interview: Imero Fiorentino | Topic: Kennedy-Nixon Debates
Lighting Director Imero Fiorentino on working with new technology 22:36
Interview: Imero Fiorentino | Topic: Technological Innovation
On makeup for the nuclear fallout portrayed in The Day After contd.; on makeup for the television movie, Why Me?; on makeup for the feature film Mask; on winning the Academy Award for Mask; on working with Elizabeth Taylor on Malice in Wonderland 21:43
Interview: Michael Westmore
Michael Westmore on makeup for Star Trek: The Next Generation 07:03
Interview: Michael Westmore | Genre: Sci-Fi/Supernatural Series
Michael Westmore on makeup for the nuclear fallout portrayed in The Day After 05:32
Interview: Michael Westmore | Genre: TV Movies/Miniseries/Dramatic Specials
Michael Westmore on makeup for the television movie, Why Me? 08:23
Interview: Michael Westmore | Genre: TV Movies/Miniseries/Dramatic Specials
Michael Westmore on working with Elizabeth Taylor on the television movie Malice in Wonderland 01:42
Interview: Michael Westmore | Genre: TV Movies/Miniseries/Dramatic Specials
Michael Westmore on director Nick Meyer's vision for the makeup on The Day After 05:05
Interview: Michael Westmore | Person: Nicholas Meyer
Michael Westmore on getting hired to do makeup for the feature film Mask 05:57
Interview: Michael Westmore | Person: Eric Stoltz