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Person

Janie Bryant
"It's about understanding the themes of the script. It's about working with the production designer and the set decorator, knowing what colors and pieces they are going to be using within that set. It's about being true to their character through the costume design and telling that story. But it's also about having all of those costumes being able to work together within that scene, within that set." 
Person

Alton Brown
"There are people that want to be good. There are people that want to be original. A lot of people want to be both. I wanted to be original more than I wanted to be good. I wanted to do something that hadn't been done before. Above all, I really wanted that."
Person

Martin Hoade
"Was I interested in religious issues? No. I was just interested in the human condition more than I was that. As far as religion illuminates or instructs the human condition all right, but since the vehicle is drama or commentary or conversations, yes I found that more interesting than the commercial work."
Person

Esme Chandlee
"So many times I think there were great friendships made between a publicist and a star. ... There was a family feeling. ... I think that it was the philosophy that all the studio publicity departments had at that time, which was, you paid attention to your own and you saw that they got the best."
Person

Ralph Senensky
"[Earl Hamner] and I were raised in very like periods and 'The Waltons' was just like putting on an old pair of shoes."
Person

Al Lewis
"My mother used to say to me, 'the most wonderful pillow that you can ever sleep on is the one that's filled with beautiful memories.' That's what I have. I go to sleep with beautiful memories."
Person

Bertram van Munster

"If you're doing the race, you do 24 hours a day, nonstop, week after week, country after country, continent after continent. You're just constantly on the move. You get tired. You get exhausted. You get irritated. You get hungry. We take you to different climates. We take you from extreme hot to extreme cold … and we throw you around the world like you think you're in a Cuisinart with the button on 'mix'. And by the time they come home they say, 'what just happened to me in my life?'"

Person

Elise Doganieri
"Even though "The Amazing Race" was our creation and it was my original concept, I did not come on the show as an Executive Producer. I actually started off as a Field Producer, making very little money. Then little by little I [became] a Supervising Producer, co-EP and I've done pretty much every job on the production. Until you've really stepped in all the shoes and lived through every aspect of the production, you really can't be an Executive Producer on a show. I can look at budgets. I can look at creative. You need to be well rounded to run a show." 
Person

Rocky Kalish
"There were some comedy writers who did comedy shows and that's all they did. We were able to move from a musical, a variety show, a soft show, a broad comedy show like 'F Troop' or something as heavy as doing a cancer (episode) on 'All in the Family'..."