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David Chase on working on Northern Exposure which he did not enjoy because he didn't buy the premise of the show 38:45

Interview: David Chase | Show: Northern Exposure

David Chase on the original premise for The Sopranos when it was a movie 33:05

Interview: David Chase | Show: Sopranos, The

David Chase on why FOX passed on The Sopranos because it was too dark; on the compromise he made to have it made with no murders in the pilot for FOX 32:15

Interview: David Chase | Show: Sopranos, The

David Chase on knowing HBO was the right home for The Sopranos when Chris Albrecht immediately understood the need to shoot the series in New Jersey 28:35

Interview: David Chase | Show: Sopranos, The

David Chase on creating the look for the pilot of The Sopranos; on what he wanted to show about New Jersey 23:03

Interview: David Chase | Show: Sopranos, The

David Chase on shooting the pilot for The Sopranos and truly believing it was not going to test well; on not having planned past the first thirteen episodes 20:19

Interview: David Chase | Show: Sopranos, The

David Chase on how he originally wrote a script for The Sopranos movie in which "Tony" would go to confront his mother, but she was already dead (he changed this when it became a series and had cast Nancy Marchand as the mother) 01:45

Interview: David Chase | Show: Sopranos, The

David Chase on coming up with the names for The Sopranos; on how both his parents and The Rockford Files influenced the character development of "Tony Soprano"; on how James Gandolfini was cast 16:25

Interview: David Chase | Show: Sopranos, The

David Chase on how The Sopranos was a show in which everything the characters say is a lie 00:24

Interview: David Chase | Show: Sopranos, The

David Chase on the decisions he made about writing and directing the scenes between "Tony Soprano" and "Dr. Melfi" on The Sopranos pilot 02:30

Interview: David Chase | Show: Sopranos, The

David Chase on shooting the scenes between "Tony" and "Dr. Melfi" on The Sopranos and why the therapy scenes looked different than the rest of the show 01:43

Interview: David Chase | Show: Sopranos, The

David Chase on how HBO decided to take a chance on The Sopranos; on the creative freedom he had there 30:10

Interview: David Chase | Topic: Television Industry

David Chase on how both his parents and The Rockford Files influenced the character development of "Tony Soprano"; on the character's strengths and weaknesses 14:53

Interview: David Chase | Topic: Creative Influences and Inspiration

David Chase on shooting the pilot for The Sopranos and truly believing it was not going to test well; on not having planned past the first thirteen episodes 20:19

Interview: David Chase | Topic: Television Industry

David Chase on shooting the pilot for The Sopranos and truly believing it was not going to test well; on not having planned past the first thirteen episodes 20:19

Interview: David Chase

On the character of "Dr. Melfi" on The Sopranos; on how Lorraine Bracco was cast; on keeping track of the backstories and histories for each character on the show when everything the characters said were "lies"; on the character of "Carmela Soprano" and the role of women on the series 59:51

Interview: David Chase

On how the character "Livia Soprano," "Tony's" mother on The Sopranos, is based on his own mother; on how the character was originally supposed to die in the first episode but Chase changed his mind; on how "Janice" was not originally a character in the series 42:10

Interview: David Chase

On the importance of "Tony Soprano" having kids on the show; on "Tony's" crew ("Paulie Walnuts", "Big Pussy", "Christopher") and casting them; on the portrayal of senior citizens on the show; on the names of the characters like "Uncle Junior" 35:31

Interview: David Chase

On planning the first and second season story arc on The Sopranos; on wanting each episode to be a "mini-movie"; on the writing process on the show 29:37

Interview: David Chase

On the directors on The Sopranos; on the editing process 15:17

Interview: David Chase

On censorship and the creative freedom at HBO; on how actors were told they were to be killed off 08:23

Interview: David Chase

David Chase on how Lorraine Bracco was cast on The Sopranos as "Dr. Melfi", but originally read for "Carmela"; on what she brought to the role 52:53

Interview: David Chase | Person: Lorraine Bracco

David Chase on the talents of Edie Falco and how she was underused as "Carmela Soprano" on The Sopranos 50:00

Interview: David Chase | Person: Edie Falco

David Chase on casting Nancy Marchand as "Livia Soprano" on The Sopranos, a role very different from one she was used to playing 39:58

Interview: David Chase | Person: Nancy Marchand

David Chase on tracking down Steve Van Zandt to be a regular on The Sopranos 00:46

Interview: David Chase | Person: Steven Van Zandt

David Chase on his writing process; on what he looks for in a writer 06:54

Interview: David Chase | Profession: Writers

David Chase on why he felt The Sopranos was covering new ground with a mobster as a protagonist 02:00

Interview: David Chase

David Chase on working on Northern Exposure which he did not enjoy because he didn't buy the premise of the show 38:45

David Chase on the original premise for The Sopranos when it was a movie 33:05

David Chase on why FOX passed on The Sopranos because it was too dark; on the compromise he made to have it made with no murders in the pilot for FOX 32:15

David Chase on knowing HBO was the right home for The Sopranos when Chris Albrecht immediately understood the need to shoot the series in New Jersey 28:35

David Chase on creating the look for the pilot of The Sopranos; on what he wanted to show about New Jersey 23:03

David Chase on shooting the pilot for The Sopranos and truly believing it was not going to test well; on not having planned past the first thirteen episodes 20:19

David Chase on how he originally wrote a script for The Sopranos movie in which "Tony" would go to confront his mother, but she was already dead (he changed this when it became a series and had cast Nancy Marchand as the mother) 01:45

David Chase on coming up with the names for The Sopranos; on how both his parents and The Rockford Files influenced the character development of "Tony Soprano"; on how James Gandolfini was cast 16:25

David Chase on how The Sopranos was a show in which everything the characters say is a lie 00:24

David Chase on the decisions he made about writing and directing the scenes between "Tony Soprano" and "Dr. Melfi" on The Sopranos pilot 02:30

David Chase on shooting the scenes between "Tony" and "Dr. Melfi" on The Sopranos and why the therapy scenes looked different than the rest of the show 01:43

David Chase on how HBO decided to take a chance on The Sopranos; on the creative freedom he had there 30:10

David Chase on how both his parents and The Rockford Files influenced the character development of "Tony Soprano"; on the character's strengths and weaknesses 14:53

David Chase on shooting the pilot for The Sopranos and truly believing it was not going to test well; on not having planned past the first thirteen episodes 20:19

David Chase on shooting the pilot for The Sopranos and truly believing it was not going to test well; on not having planned past the first thirteen episodes 20:19

On the character of "Dr. Melfi" on The Sopranos; on how Lorraine Bracco was cast; on keeping track of the backstories and histories for each character on the show when everything the characters said were "lies"; on the character of "Carmela Soprano" and the role of women on the series 59:51

On how the character "Livia Soprano," "Tony's" mother on The Sopranos, is based on his own mother; on how the character was originally supposed to die in the first episode but Chase changed his mind; on how "Janice" was not originally a character in the series 42:10

On the importance of "Tony Soprano" having kids on the show; on "Tony's" crew ("Paulie Walnuts", "Big Pussy", "Christopher") and casting them; on the portrayal of senior citizens on the show; on the names of the characters like "Uncle Junior" 35:31

On planning the first and second season story arc on The Sopranos; on wanting each episode to be a "mini-movie"; on the writing process on the show 29:37

On the directors on The Sopranos; on the editing process 15:17

On censorship and the creative freedom at HBO; on how actors were told they were to be killed off 08:23

David Chase on the female characters on The Sopranos 24:20

David Chase on "Uncle Junior" and "Tony's" crew on The Sopranos 05:54

David Chase on the writing, directing, and editing on The Sopranos 26:38

David Chase on how Lorraine Bracco was cast on The Sopranos as "Dr. Melfi", but originally read for "Carmela"; on what she brought to the role 52:53

David Chase on the talents of Edie Falco and how she was underused as "Carmela Soprano" on The Sopranos 50:00

David Chase on casting Nancy Marchand as "Livia Soprano" on The Sopranos, a role very different from one she was used to playing 39:58

David Chase on tracking down Steve Van Zandt to be a regular on The Sopranos 00:46

David Chase on his writing process; on what he looks for in a writer 06:54

David Chase on why he felt The Sopranos was covering new ground with a mobster as a protagonist 02:00