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On the memorable opening that he did for both radio and TV's "The Lone Ranger" - he performs the narration 00:58
Interview: Fred Foy
Fred Foy performs the memorable opening narration that he did for both radio and TV's "The Lone Ranger" 00:58
Interview: Fred Foy
Fred Foy on being recognized from his voice, due to his work on "The Lone Ranger" 01:17
Interview: Fred Foy | Show: Lone Ranger, The
Fred Foy performs the memorable opening narration that he did for both radio and TV's "The Lone Ranger" 00:58
Interview: Fred Foy | Show: Lone Ranger, The
Fred Foy performs the memorable opening narration that he did for both radio and TV's "The Lone Ranger" 00:58
Interview: Fred Foy | Topic: Characters & Catchphrases
Fred Foy performs the memorable opening narration that he did for both radio and TV's "The Lone Ranger" 00:58
Interview: Fred Foy | Topic: Pop Culture
On his early years and influences; on deciding to become a professional musician; on his earliest jobs as a musician 16:30
Interview: Mitch Miller
On playing music on the radio; on playing with George Gershwin; on joining the CBS Orchestra in 1936 and on playing for Orson Welles' "Mercury Theatre" radio show 12:50
Interview: Mitch Miller
Mitch Miller on playing in the orchestra for Orson Welles' "Mercury Theatre" radio show 03:53
Interview: Mitch Miller | Person: Orson Welles
Mitch Miller on playing with George Gershwin 03:15
Interview: Mitch Miller | Person: George Gershwin
Mitch Miller on how he first came to play music - through his father and through the public schools in Rochester, NY 02:52
Interview: Mitch Miller | Topic: Creative Influences and Inspiration
Mitch Miller on how he first came to play music - through his father and through the public schools in Rochester, NY 02:52
Interview: Mitch Miller | Topic: Pivotal Career Moments
On the challenges of making a stage performance compelling for television audiences on shows like Great Performances; on bringing George Balanchine's ballet to the Grand Ole Opry on Great Performances: Dance in America; on tracing the history of dance on Great Performances: Dance in America 11:50
Interview: Jac Venza
On making opera more palatable to modern audiences on shows like Live from Lincoln Center; on his role as producer of Great Performances; on commissioning new operas like "Nixon in China" by John Adams for Great Performances; on corporate sponsorships 11:43
Interview: Jac Venza
On the creation of American Masters; on becoming director of culture and arts programs at PBS; on producing "Itzhak Perlman: Fiddling for the Future" and "Itzhak Perlman: In the Fiddler's House" for Great Performances (for which he won an Emmy); on the qualities that make a good producer; on bringing musical theater productions from Stephen Sondheim and Andrew Lloyd Webber to Great Performances 16:13
Interview: Jac Venza
On awards he's won throughout his career; on executive producing the first hour of the Tony Awards 08:02
Interview: Jac Venza
On executive producing City Arts; on executive producing Broadway: The American Musical, his final project; on advice to an aspiring television producer 09:38
Interview: Jac Venza
Jac Venza on Great Performances and Great Performances: Dance in America 39:46
Interview: Jac Venza | Genre: Classic Anthology Series
Jac Venza on the creation of American Masters 02:51
Interview: Jac Venza | Genre: News and Documentary
Jac Venza on executive producing the first hour of the Tony Awards 04:35
Interview: Jac Venza | Genre: Awards Shows
Jac Venza on executive producing Broadway: The American Musical, his final project 03:48
Interview: Jac Venza | Genre: News and Documentary
Jac Venza on producing "Itzhak Perlman: Fiddling for the Future" and "Itzhak Perlman: In the Fiddler's House" for Great Performances (for which he won an Emmy), and bringing musical theater productions by Stephen Sondheim and Andrew Lloyd Webber to Great Performances 10:00
Interview: Jac Venza | Genre: Classic Anthology Series
Jac Venza on bringing George Balanchine's ballet to the Grand Ole Opry on Great Performances: Dance in America 01:26
Interview: Jac Venza | Person: George Balanchine