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Person

Linda Ellerbee
"Even at age 10 it was fairly clear to me that if the Soviet Union dropped a hydrogen bomb on us, climbing under my little wooden desk and putting my hands over my head wasn't going to help. I spent a lot of time afraid of what's going to happen because I would see these images on television of Khrushchev pounding his shoe at the UN and the tests of the bombs that were being conducted, and I would go to bed terrified. No one talked to me about this. My parents didn't talk to me about what I was watching, my school didn't talk to me, no one in the church talked to me, certainly no one on television addressed my fears as a kid of the news that I was seeing. Don't you think I didn't think about that years later when we went to start Nick News."
Person

Alan A. Armer

"It was a pattern we used successfully in 'The Untouchables," where the framework for the series would be 'the fugitive' running from the law and there would be a human-dimensional story about the characters 'the fugitive' would become involved with. That's really what made the series work."

Person

Garvin Eddy

"The production designer is responsible for everything you see on the screen that doesn't move. What is this world that these writers have created in their minds and have written about? And how do you make that into a real, three-dimensional living thing that actors move into? It's our job to bring that to life."

Person

Ed O'Neill
"That's the formula for comedy: it's one step forward and then two steps back. Or it's two steps forward and one step back. It can never be resolved. Then you have no show." 
Person

Lee Mendelson

"I'm going to be remembered for 'A Charlie Brown Christmas.' And that's a great thing to be remembered for... 'Charlie Brown' was Charles Schulz to a certain extent. And he hated bulliness. I think all those 50 years was an attack on bulliness... He left words in the dictionary like 'security blanket' and 'great pumpkin'... And the sense of loss, first when he retired and then when he passed away... was phenomenal. Because whole generations grew up with this guy -- his legacy was deep."

Person

Arthur Rankin, Jr.
"I'm always pleased by success, and I'm always surprised by it.  Why has 'Rudolph the Red-Nosed Reindeer' been on the air for 42 years? The longest-running, highest-rated film in the history of the medium?  I don't know the answer to that. But over the last few years, I've become very honored by that... I guess that is my legacy. Longevity is the answer for art."