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Person

Ken Levine
"At the end of Season one of 'Cheers' there's a famous scene where Sam and Diane kiss for the first time. The audience went bananas - through the roof. I turned to David [Isaacs] and said, 'We've peaked.' Though there were some wonderful episodes for the next four seasons, I don't think we could ever match it."
Person

David Isaacs
"What was great about 'M*A*S*H' was its uniqueness. It's the deepest and darkest of any situation comedy and was unafraid to tackle the humanity that was involved in war. They had to cope with the madness of it by acting out. I can't think of another show that's been quite like that or may ever be like that; taking on a subject matter that you would never associate with comedy." 
Person

Charles S. Dubin

"As a director, I try to do what the writers had in mind. What did the writers want the audience to know and how do I do that with the picture, the sound effects, the props, the costumes. I think that anything that's seen on that screen should be from the director and writer's point of view. That's I think the best way I can put it."

Person

Milton Delugg
"I brought Dagmar on the show because Jerry Lester had picked her, and I said, 'What's she supposed to do?'  And he said, 'She's the girl singer with the band."  So I introduced her that night.  I said, 'Jerry, this is Dagmar.  She's the chick with the band.'  He said, 'How does she sound?' And I said, 'Who cares?" I guess it was my first laugh. After that, I had lines to do." 
Person

Joseph Barbera

"I just hope they remember I was the creator of some very warm and loving, funny characters that made everybody happy and smile." 

Person

William Link

"The mysteries were intellectual exercises full of twists and surprises. We had fun doing them -- as much as you can have fun under very tight television schedules and budgets and trying to get the best work out of your actors."