Rue McClanahan
"This was funny. These were great characters. We had a great hit on our hands I knew it. Betty White was always astounded. She'd say, 'we got picked up for another 13!' I'd say, 'Betty, join the real world. This is a big hit.'"
"This was funny. These were great characters. We had a great hit on our hands I knew it. Betty White was always astounded. She'd say, 'we got picked up for another 13!' I'd say, 'Betty, join the real world. This is a big hit.'"
"You think about this guy that tried to commit suicide during 'McHale's Navy' and is now with his wife trying to save peoples' lives. What a change, huh?"
"Stick to your guns, because each time we did, we succeeded. And each time you gave up, if you gave a little, the networks sort of would view it as weakness and jump into that area, and make you do work that was less good. You shouldn't compromise."
"In the early days of television, we said the way to get that audience is to offer the people good stuff. They'll come up to it. The result was 'Goodyear Playhouse' and 'Armstrong Theater' by great writers like Paddy Chayefsky and Horton Foote. The audience got interested. And they watched it. Later, other guys came in and they said, 'No, the audiences are not going to come up. Give them crap.' Then you got 'Beverly Hillbillies' and 'Gilligan's Island,' things like that. Those guys were absolutely right. As the ratings proved. But it sure didn't help television. It's too bad that there wasn't a longer period of trying to come up."
"In early television, had we been afraid that we didn't know how to do the medium, it would never have started. We weren't trained, we were just thrust into it and had to do it."