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Person

Sonny Fox

"You start out by respecting your audience.  You start out saying these kids are not to be exploited. They're not just an audience that you look at as rating points, but each one is an individual human being that has tremendous potential but also is a little dangerous… They still listen to the voices that we forget to listen to when we grow up… That's what makes them fascinating." 

Person

George Spiro Dibie

"You are in charge of the look. Especially the technical look more than anything.  You report to the director. I want to add that it's a collaboration - the director, cinematographer, production designer - these are the guys who are responsible for the look… The director directs us, and I bring his vision to the screen -  what he has on the brain, how he wants it to look. I do that for him."

Person

Fred Steiner
"(Outstanding scores have) music that you can listen to over and over again and say, 'gee, I think that was a good job…' I was listening to the re-runs of 'Gunsmoke' and some of the old scores I haven't heard for 50 years.  And I'm kind of impressed by that - that was music that sounded different from most of the stuff that you were hearing on TV in those days for western films.  If I like listening to it again, then maybe it had something."
Person

Sanford Socolow
"...To be executive producer of the dominant news show with a circulation that would have made William Randolph Hearst twirl in his grave. The circulation of the Cronkite show when I left, is bigger than the three network news shows combined today."