Clip Search

Herschel Burke Gilbert on scoring features for producer David Chudnow, and on representing composers and arrangers for his union

Herschel Burke Gilbert on David Chudnow's MUTEL library

Herschel Burke Gilbert on his Academy Award nominations, including for "Carmen Jones"

Herschel Burke Gilbert on going to work for Levy-Gardner-Laven Productions

Herschel Burke Gilbert on his music being used for The Adventures of Superman, and other shows that used the MUTEL library

Herschel Burke Gilbert on his music being used for The Adventures of Superman, and other shows that used the MUTEL library

Herschel Burke Gilbert on his music being used for The Adventures of Superman

On his production company 96 Next, and on his determination to get a show made after having sold shows that never got made; on meeting Twitch co-founder Kevin Lin, and on how this led to the development of his next series Artificial; on what Twitch was all about, and on his understanding of what would make a show right for Twitch; on how he conceptualized Artificial, and on the challenge of creating long episodes in order to encourage interactivity; on the story of Artificial, and on the interactive components of the show including polls; on the audience terminating "Sophie" via a poll, and on the audience saving characters

On the Twitch audience, and on whether the audience demographics impacted his writing on Artificial; on the leads of Artificial both being played by Asian actors, and on the writing process on Artificial; on the process of shooting episodes of Artificial, and on directing the series; on how the COVID-19 pandemic impacted the third season of Artificial, and on the technical challenges of producing that season; on the world-building episodes in the third season of Artificial, and on how the polls worked during episodes of Artificial, and on working with the Twitch currency

On Artificial not being a multi-plafform show, and on technological innovations throughout the seasons; on the AI-controlled music they used on Artificial, and on the number of live viewers they generally had; on winning an Emmy award and a Peabody award for Artificial, and on how the show ended and on its legacy; on going to work with Metatheory, and on his work with Pickford AI; on using AI in his work, and on working with SAG actors in the AI context; on recording actors' voices for his AI-driven project Whispers, and on the platforms hosting Whispers

On his response to anti-AI voices in the entertainment industry, and on whether his personal views on AI have changed as the technology has evolved; on what he sees as the future of television; on what he enjoys about storytelling, and on how he defines himself professionally; on how he keeps up with ever-evolving technology, and on how he has seen the industry change over the course of his career, and on how opportunities have changed in the industry since he started out

On people who have advised and helped him in his career, and on advice to aspiring storytellers in the digital space; on the value of oral history interviews, and on the importance of kindness in the television industry; on his proudest career achievements: his Emmy awards, and on career regrets; on his dream projects, and on how he would like to be remembered

Bernie Su on his Twitch series Artificial

Bernie Su on the writing process for his interactive, live Twitch series Artificial, and on how the interactive polls and potential alternate storylines impacted the writing

Bernie Su on recording actors' voices for use in his AI-driven project Whispers

Bernie Su on using SAG actors in his AI-based work with Pickford AI, and on working within the parameters of SAG's rules on AI use

Bernie Su on what he enjoys about storytelling, and on the inspiration for his projects coming from outside influences

Bernie Su on what he enjoys about storytelling, and on the inspiration for his projects coming from outside influences

Bernie Su on how he conceptualized his live, interactive Twitch show Artificial, and on the challenge of needing to have long episodes in order to encourage interactivity

Bernie Su on the interactive components of his Twitch show Artificial

Bernie Su on the process of shooting his live, interactive Twitch series Artificial, and on directing the show

Bernie Su on creating a remote season of Artificial during the COVID-19 pandemic

Bernie Su on using SAG actors in his AI-based work with Pickford AI, and on working within the parameters of SAG's rules on AI use

Bernie Su on his response to anti-AI voices in the entertainment industry

Bernie Su on how he defines himself professionally

Bernie Su on advice to aspiring storytellers in the digital space

Bernie Su on the value of oral history interviews

Bernie Su on how he would like to be remembered

Bernie Su on developing his Twitch live, interactive series Artificial

Bernie Su on Artificial being the only original drama commissioned by Twitch, and on how he conceptualized Artificial per the interactive parameters of Twitch