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John Forsythe on the difference between acting on filmed or taped television and live television 02:35

Interview: John Forsythe



John Forsythe on the quality of the live shows in the '50s and his first Emmy nomination  02:48

Interview: John Forsythe



John Forsythe on producing the live production The First Hundred Years 01:47

Interview: John Forsythe



John Forsythe on the Hollywood Blacklist 02:12

Interview: John Forsythe



John Forsythe on acting on Alfred Hitchcock Presents  and working with Alfred Hitchcock 08:11

Interview: John Forsythe



John Forsythe on his early experiences on live television including Studio One, Suspense, and U.S. Steel 03:37

Interview: John Forsythe | Show: Studio One



John Forsythe on his early experiences on live television including Studio One, Suspense, and U.S. Steel 03:37

Interview: John Forsythe | Show: Suspense



John Forsythe on his early experiences on live television including Studio One, Suspense, and The  U.S. Steel Hour 03:37

Interview: John Forsythe | Show: United States Steel Hour, The



John Forsythe on acting on the series Suspense and the challenges of acting on live television 03:14

Interview: John Forsythe | Show: Suspense



John Forsythe on acting on Alfred Hitchcock Presents and working with Alfred Hitchcock 08:11

Interview: John Forsythe | Show: Alfred Hitchcock Presents aka The Alfred Hitchcock Hour



John Forsythe on how Bachelor Father came about 03:26

Interview: John Forsythe | Show: Bachelor Father



John Forsythe on his character "Bentley Gregg" on Bachelor Father 01:03

Interview: John Forsythe | Show: Bachelor Father



John Forsythe on the quality of the live shows in the '50s and his first Emmy nomination  02:48

Interview: John Forsythe | Show: Emmy Awards, The (Primetime and Daytime)



John Forsythe on his early experiences on live television including Studio One, Suspense, and The  U.S. Steel Hour 03:37

Interview: John Forsythe | Topic: TV's Golden Age (1940s & '50s)



John Forsythe on his early experiences on live television including Studio One, Suspense, and The U.S. Steel Hour 00:00

Interview: John Forsythe | Topic: Anthology Drama



John Forsythe on the quality of the live shows in the '50s and his first Emmy nomination  02:48

Interview: John Forsythe | Topic: Emmy Awards



John Forsythe on the Hollywood Blacklist 02:12

Interview: John Forsythe | Topic: Television Industry



John Forsythe on the Hollywood Blacklist 02:12

Interview: John Forsythe | Topic: Industry Crossroads



John Forsythe on the Hollywood Blacklist 02:12

Interview: John Forsythe | Topic: Hollywood Blacklist



On his early life and influences; on radio he listened to growing up and politics in his household; on his earliest memories of television 11:47

Interview: John Forsythe



On announcing for the Brooklyn Dodgers; on studying at the Actors Studio; on his early stage and film roles 16:06

Interview: John Forsythe



John Forsythe on studying at the Actors Studio 03:39

Interview: John Forsythe | Profession: Performers



John Forsythe on studying at the Actors Studio 03:39

Interview: John Forsythe | Profession: Actor



John Forsythe on radio he listened to growing up and politics in his household  02:52

Interview: John Forsythe



John Forsythe on his earliest memories of television 03:06

Interview: John Forsythe



John Forsythe on announcing for the Brooklyn Dodgers  04:11

Interview: John Forsythe



John Forsythe on studying at the Actors Studio 03:39

Interview: John Forsythe



John Forsythe on his early stage and film roles 07:23

Interview: John Forsythe



On directing the M*A*S*H episode "Point of View"; on working with Burt Metcalfe and Gene Reynolds on M*A*S*H, and on where the show was shot; on problems Standards and Practices had with M*A*S*H and on the use of the laugh track on the show, and on the end of the series 11:20

Interview: Charles S. Dubin



On his style of directing and how he works with actors; on directing Lou Grant with Ed Asner and Nancy Marchand; on directing The Belle of Amherst, starring Julie Harris 08:49

Interview: Charles S. Dubin



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