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Herschel Burke Gilbert on when he first saw television, and on early variety shows

Herschel Burke Gilbert on leaving Four Star and on writing music for Burke's Law for producer Aaron Spelling

Herschel Burke Gilbert on going to work at CBS as Executive Music Director, and on serving as music director for Gilligan's Island

Herschel Burke Gilbert on composing for The Rifleman

Herschel Burke Gilbert on composing for Dick Powell's Zane Grey Theatre

Herschel Burke Gilbert on composing for The Rifleman

Herschel Burke Gilbert on composing for The Loretta Young Show, and on doing the music for various Four Star Productions

Herschel Burke Gilbert on going to work at CBS as Executive Music Director, and on serving as music director for Gilligan's Island

On his music being used for The Adventures of Superman, and other shows that used the MUTEL library; on his Academy Award nominations, including for "Carmen Jones"; on going to work for Levy-Gardner-Laven Productions

Herschel Burke Gilbert on his music being used for The Adventures of Superman, and other shows that used the MUTEL library

Herschel Burke Gilbert on the differences between composing for film and composing for television

Herschel Burke Gilbert on the differences between composing for film and composing for television

Herschel Burke Gilbert on scoring features for producer David Chudnow, and on representing composers and arrangers for his union

Herschel Burke Gilbert on David Chudnow's MUTEL library

Herschel Burke Gilbert on his Academy Award nominations, including for "Carmen Jones"

Herschel Burke Gilbert on going to work for Levy-Gardner-Laven Productions

Herschel Burke Gilbert on his music being used for The Adventures of Superman, and other shows that used the MUTEL library

Herschel Burke Gilbert on his music being used for The Adventures of Superman, and other shows that used the MUTEL library

Herschel Burke Gilbert on his music being used for The Adventures of Superman

On forming the production company Pemberley Digital with Hank Green, and on lessons he learned at the beginning; on the origins of his next web series, Emma Approved, and on how he approached adapting Jane Austen's Emma; on casting Emma Approved, and on the lack of Asian representation on TV when he was growing up; on casting Stephen A. Chang in Emma Approved, and on casting Brent Bailey as "Alex Knightley"

On bringing a character from The Lizzie Bennet Diaries into Emma Approved; on creating a shortform web series for lookbook.com, and on how that experience informed the multi-platform aspects of Emma Approved; on working with brands on Emma Approved, and on how they used social media for the characters on the show; on bringing back Emma Approved for additional episodes after its initial run

On pitching his shows to traditional television, and on the outcome of those pitches; on the legacy of Emma Approved, and on winning an Emmy for the series; on his web series Frankenstein, MD which was made in partnership with PBS Digital Studios, and on the benefits and challenges of working with PBS; on being the executive producer on Frankenstein, MD, and on how the show updated Frankenstein; on the Pemberley Digital 2 YouTube channel

On his production company Canvas Media Studios, and on how his series Vanity came about; on Maybelline being the sponsor of Vanity, and on the structure of the episodes; on working with Maybelline and influencers on Vanity; on how he developed his pilot Socio to MTV, and on what he learned from his production company Canvas and his feelings about the more traditional television development process

Bernie Su on his web series Emma Approved

Bernie Su on his PBS Digital series Frankenstein, MD

Bernie Su on his web series Vanity

Bernie Su on forming the production company Pemberley Digital with Hank Green

Bernie Su on casting Stephen A. Chang as "Frank Churchill" in Emma Approved

Bernie Su on casting his web series Emma Approved, and on casting Joanna Sotomura in the lead role