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Alan J. Levi on working as a guest director on Miami Vice

Alan J. Levi on the value of watching episodes of Miami Vice before guest directing to undertand the visual style 

On directing special effects on the Universal shows in the 1970s

Alan J. Levi on working as a regular director on The Bionic Woman

Alan J. Levi on how having a cameraman background played a role in his directing of The Bionic Woman

Alan J. Levi on where in the space he likes to be when shooting a scene

Alan J. Levi on how the time it takes to shoot an episode has increased from the 1970s and '80s to the present

Alan J. Levi on what rehearsal time looked like in the 1970s and how it compares to rehearsals for more recent shows

Alan J. Levi on the post-production process and working with the editor of a show

Alan J. Levi on not typically having time to work with the composer of a show and live scores in the early Universal shows

Alan J. Levi on the bridge set of the Battlestar Galactica pilot and shooting on the set with a crane

Alan J. Levi on directing the second half of the pilot of Battlestar Galactica 

Alan J. Levi on working with his assistant directors on TV series

Alan J. Levi on working with his assistant directors on TV series

Alan J. Levi on his parents visiting him on the set of the Battlestar Galactica pilot

Alan J. Levi on the bridge set of the Battlestar Galactica pilot and shooting on the set with a crane

Alan J. Levi on working with Sandra Bullock on the TV movie Bionic Showdown

Alan J. Levi on directing The Invisible Man starring David McCallum

Alan J. Levi on directing the pilot for Gemini Man

Alan J. Levi on working as a guest director on Miami Vice 

Alan J. Levi on the special effects on The Invisible Man and inventing an invisible effect for every episode he directed

Alan J. Levi on working as a director on The Bionic Woman and a typical production week on the show

Alan J. Levi on reviving the "Bionic Woman" in The Bionic Woman series after burying her character previously in The Six Million Dollar Man

Alan J. Levi on the two pilots created for The Incredible Hulk television series

Alan J. Levi on working with Bill Bixby and Lou Ferrigno on The Incredible Hulk television series

Alan J. Levi on shooting half of the pilot of Battlestar Galactica but not getting screen credit due to the Directors Guild rules at the time

Alan J. Levi on the complexities of directing the Battlestar Galactica pilot and how expensive it was

Alan J. Levi on working with producer John Dykstra on Battlestar Galactica and Dykstra's contributions to the special effects on the show

Alan J. Levi on the bridge set of the Battlestar Galactica pilot and shooting on the set with a crane

Alan J. Levi on his parents visiting him on the set of the Battlestar Galactica pilot