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Alan J. Levi on working with George Clooney in Without Warning: Terror in the Towers

Alan J. Levi on directing JAG

Alan J. Levi on filming a dentist scene in Columbo: Uneasy Lies the Crown and Peter Falk's false eye falling out while filming

Alan J. Levi on directing the "Men in Pink" episode of Hercules: The Legendary Journeys

Alan J. Levi on directing the Buffy the Vampire episode called "Sleeper"

Alan J. Levi on George Clooney and casting him as a fireman on Without Warning: Terror in the Towers

Alan J. Levi on working with Noah Wyle on ER

Alan J. Levi on directing the short film Take my Hand written by Eileen Grubba

Alan J. Levi on filming a dentist scene in the Columbo episode "Columbo: Uneasy Lies the Crown" and Peter Falk's false eye falling out while filming

Alan J. Levi on struggling to stay on schedule when directing the Buffy the Vampire Slayer episode "Sleeper"

Alan J. Levi on directing a one-shot scene in an episode of ER

Alan J. Levi on filming on an active aircraft carrier in JAG

Alan J. Levi on what he loves about directing and why directing TV isn't as much fun for him as it used to be

Alan J. Levi on what he likes about working in television

Alan J. Levi on advice to aspiring directors

AlanJ. Levi on working on the short film Take my Hand

Alan J. Levi on the value of oral history interviews

Alan J. Levi on working with David Johnson on a pilot called Supernova

Alan J. Levi on filming a dentist scene in the Columbo episode "Columbo: Uneasy Lies the Crown" and Peter Falk's false eye falling out while filming

Alan J. Levi on what he loves about directing

Alan J. Levi on filming a dentist scene in the Columbo episode "Columbo: Uneasy Lies the Crown" and Peter Falk's false eye falling out while filming

Alan J. Levi on directing the "Men in Pink" episode of Hercules: The Legendary Journeys

Alan J. Levi on directing the Buffy the Vampire episode called "Sleeper"

Alan J. Levi on his experience directing on ER

Alan J. Levi on directing on JAG and filming on an aircraft carrier

Alan J. Levi on the lighting setup on the television adaptation of National Velvet

Alan J. Levi on how strict the filming schedule is in New Zealand

Alan J. Levi on what he likes about working in television compared to film

Alan J. Levi on building VidiFilm, a three-camera portable system, and how it's been used in different industries

Alan J. Levi on the changes in television technology and how they've made production and post-production faster than when he first started in the industry