Marge Champion

On her early life and influences; on her early interest in dance and being trained by her father

On deciding she wanted to be a dancer; on teaching dance in her early years and her early dance performances; on her father's dance class students

On living though the Great Depression; on meeting Gower Champion 

On meeting Gower Champion; on working for Disney and modeling for "Snow White and the Seven Dwarfs"

On attending Hollywood High; on the "racy" elements of Hollywood; on her first marriage and touring with The Three Stooges; on her early dancing jobs after graduating high school

On her early appearances in movies; on moving to New York City in 1939; on taking acting lessons in New York City and breaking into Broadway

On her experiences during World War II; on reuniting with Gower Champion after World War II; on her relationship with Gower Champion as a dancer

On her chemistry with Gower Champion and their rehearsal process; on the process of creating a dance number; on her and Gower Champion's act

On choreographing Queen of the Stardust Ballroom;  on developing her act with Gower Champion and their first time on television 

On her first appearance on television; on her and Gower Champion's getting hired for Admiral Broadway Revue;  on Gower Champion's choreography for the television camera

On the rehearsals for Your Show of Shows;  on the feeling right before going on "live" TV for Your Show of Shows;  on the logistics of shooting her and Gower Champion dancing for television

On her father seeing her on television and performing on live television; on how audiences had changed since she started on television 

On mishaps on live television and appearing on Person to Person;  on leaving Admiral Broadway Revue and going on the road with Gower Champion; on appearing in the feature "Showboat" and other features and working for Howard Hughes

On appearing in various features with Gower Champion; on Gower Champion experimenting with choreography on film; on appearing in cinemascope features and appearing in the feature "Three for the Show"

On The Marge and Gower Champion Show; on the writers, characters and guest stars of The Marge and Gower Champion Show

On working on The Dinah Shore Show and various other television shows in the late '50s; on how performers have changed since she started in the business; on her favorite medium to work in as a performer

On appearing on The Ed Sullivan Show  with Gower Champion and touring the Soviet Union with Ed Sullivan

On creating material specifically for television and the public's reaction to her television appearances; on dancing with Gower Champion on The Perry Como Show; on her and Gower Champion's final television appearance on The Bell Telephone Hour

On how the medium of television changed during her active years; on the Hollywood Blacklist; on being named Woman of the Year by the "Los Angeles Times" in 1969

On assisting Gower Champion in his choreography and her directing career; on the social upheaval of the 1960s and her split with Gower Champion; on her various activities after her split with Gower Champion including choreographing Queen of the Stardust Ballroom

On retiring from dancing and doing straight acting; on advice to aspiring dancers; on losing her dress in front of the Queen of England

On career highlights and regrets and working with Harry Belafonte; on the then-future of television 

On various people with whom she has worked in her career

On her father's legacy; on the legacy of Gower Champion; on how she'd like to be remembered and her influence