Ane Crabtree on her inspiration for the costumes on The Handmaid's Tale
01:33
Ane Crabtree on first meeting Elisabeth Moss for costume fittings for The Handmaid's Tale, on the music she played during the fitting, and her approach to costumes for the show
06:52
Ane Crabtree on how she first got involved with The Handmaid's Tale
05:30
Ane Crabtree on her research for the costumes of The Handmaid's Tale, how she was impacted by the subject matter of the show, and design ideas for the Handmaids, Econopeople, Guardians, Aunts, and Commanders
12:50
Ane Crabtree on some of the inspirations for the Aunts' costumes on The Handmaid's Tale
19:30
Ane Crabtree on additional secrets that she built into the costumes on The Handmaid's Tale -- wanting to give the Commanders' wives something special
02:33
Ane Crabtree on hiding actress Yvonne Strahovski's real-life pregnancy on The Handmaid's Tale
02:09
Ane Crabtree on choosing the teal and red colors for the costumes for the Commanders' Wives and the Handmaids, respectively, on The Handmaid's Tale
04:48
Ane Crabtree on the obi in the Handmaids' costumes for The Handmaid's Tale
07:16
Ane Crabtree on additional elements of Handmaids' costumes for The Handmaid's Tale -- wings, cape, boots, and winter and summer versions of the costumes
04:01
Ane Crabtree on costume designs for season two of The Handmaid's Tale -- her inspiration for the Unwomen
13:24
Ane Crabtree on costume designs for the Econopeople in season two of The Handmaid's Tale
04:57
Ane Crabtree on how Gilead in The Handmaid's Tale is similar to present day, and how costumes similar to those she designed began to be worn at political protests
21:12
Ane Crabtree on Elisabeth Moss' costume from The Handmaid's Tale now being part of the permanent collection of the Smithsonian
10:04
Ane Crabtree on her research for the costumes of Pan Am
08:40
Ane Crabtree on making a lot of costumes for Pan Am herself
01:01
Ane Crabtree on period-accurate undergarments on Pan Am
01:21
Ane Crabtree on how budgets impact her work, particularly on Pan Am, and on shopping for vintage pieces
03:10
Ane Crabtree on becoming the costume designer for the pilot of The Sopranos
04:04
Ane Crabtree on David Chase sending her to New Jersey to do research for the pilot of The Sopranos
06:16
Ane Crabtree on getting Yves Saint Laurent clothes for Lorraine Bracco's character, "Dr. Melfi" in The Sopranos pilot and how her outfits aligned with the color of her office
05:35
Ane Crabtree on collaborating with other departments to finalize costume designs for the pilot of The Sopranos
04:08
Ane Crabtree on her first meeting with James Gandolfini for The Sopranos
02:32
Ane Crabtree on "Tony Soprano's" robe in The Sopranos pilot and on "Tony" feeding the ducks
03:04
Ane Crabtree on David Chase directing The Sopranos pilot
01:58
Ane Crabtree on how working on The Sopranos pilot impacted her career
03:44
Ane Crabtree on how she became the costume designer for season one of Westworld
05:10
Ane Crabtree on transforming "William" into "The Man in Black" on Westworld and how far in advance she knew they were the same character
06:26
Ane Crabtree on "Dolores'" two main looks on Westworld, and a third that never saw the light of day
03:59
Ane Crabtree on Delos headquarters in Westworld and what it meant to her to design Samurai costumes
04:19